Expressões do horror: escritos sobre cinema de horror contemporâneo [PDF]
Este terceiro volume da Coleção Cadernos de Crítica é o resultado textual dos debates surgidos em torno do cinema de horror contemporâneo, curadoria do Projeto Cinema Mundo que exibiu produções audiovisuais durante o segundo semestre de 2016 e primeiro ...
Ripoll, Leonardo (Org.) +1 more
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The monstrous landscape and the revenge of nature are recurring motifs in Australian cinema. In the horror genre, the idea of the monstrous landscape emerges from, and builds upon, an established tradition in Australian cinema in which landscape ...
Ryan, Mark David
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Cinema: representação e loucura [PDF]
Dissertação (mestrado) - Universidade Federal de Santa Catarina, Centro de Filosofia e Ciências Humanas. Programa de Pós-Gradução em História.O objetivo deste trabalho é analisar a figura do doente mental construída pelo cinema.
Benoski, Diogo Albino
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An embodiment of the cinematographer: emotional and perceptual responses to different camera movement techniques. [PDF]
Yilmaz MB, Lotman E, Karjus A, Tikka P.
europepmc +1 more source
Representations of sexuality in the films of François Ozon [PDF]
This is a study of the shorts and feature films by the young, prolific French film director, François Ozon. The thesis uncovers the impact of Ozon’s oeuvre on cinematic audiences.
Stanley, Alice
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The two sides of the scalpel: The polarizing image of surgery in early cinema. [PDF]
Henkel D.
europepmc +1 more source
The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany [PDF]
The Doppelganger is a celebrated motif of German silent cinema that has been seen by art and literary historians as a filmic descendant of German Romanticism, and by psychoanalysts as a concretisation of human beings' fears regarding their own ...
Kiss, Robert James
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An Invitation to Reflection about Horror: A Review of Genre Updates
This article reviews A.V. Pavlov's book “Horror Studies: Genre Updates in the 21st Century”, which examines the historiography of horror studies in cinema.
Sophia V. Yakimova
doaj +1 more source
Domestic Films Made for Export: Modes of Production of the 1960s Italian Horror Film
Along with the Italian Western, but with an arguably more lasting effect, Italian horror cinema of the 1960s has contributed significantly to the branding of European genre cinema for an international audience.
DI CHIARA, FRANCESCO
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Overlapping montage: a comparative study of mainstream film and moving-image installations [PDF]
This dissertation develops a discussion on the need for a comparative approach to the study of film and moving- image installations. It addresses the lack of critical attention given to moving-image installations within film studies generally and ...
Ryan, Orla G.
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