Results 101 to 110 of about 185,539 (272)
PLANTS, PEOPLE, PLANET, Volume 8, Issue 4, Page 1087-1094, July 2026.Widespread museum digitization initiatives have made the world's herbaria more accessible than ever, launching a renaissance of specimen use. We highlight the value of digitization to bolster both scientific and historical research using the specimens from the Lady Franklin Bay Expedition (1881–1884) to the Canadian arctic, remembered for its tragedy ...
J. Mason Heberling, Jackson P. Wright
wiley +1 more source
Aspects of Contemporary Irish Horror Cinema
, 2012 HORROR, HURLING, AND BERTIE: ASPECTS OF CONTEMPORARY IRISH HORROR CINEMA ..
Crosson, Seán
core +2 more sources
When does category spanning hurt or help producers?
Strategic Management Journal, Volume 47, Issue 7, Page 1907-1934, July 2026.Abstract Research Summary Scholars have theorized many factors shaping whether category spanning helps or hurts producers. We first synthesize evidence by meta‐analyzing 25 years of empirical research, which reveals a null effect of spanning on average, yet with significant subsample heterogeneity. To unpack it, we theorize and find that spanning hurts
Jungsoo Ahn +2 more
wiley +1 more source
, 2010 This Australasian horror special issue is an important step forward in putting Australian and New Zealand horror movies on the map of film and cinema studies as a subject worthy of intellectual debate. The journal issue is the first devoted solely to the
Ryan, Mark David
core
Bulletin of Latin American Research, Volume 45, Issue 3, July 2026.ABSTRACT This article explores how documentary film constructs responsibility for environmental harm in response to the Argentine Supreme Court's 2008 ruling on the polluted Matanza‐Riachuelo river basin. Through an interdisciplinary dialogue between socio‐legal, film and cultural studies, the analysis explores how three documentaries envisage ...
Oliver Wilson‐Nunn
wiley +1 more source
The French reception of British cinema [PDF]
French writings on British cinema have tended, and continue, to be dominated by one single figure. Director Francois Truffaut's famous dismissal of British cinema has become a standard reference.
Wimmer, Leïla
core
‘AN AUSTRIAN FATE’: TRAUMA, REPRESSION AND WAR IN ADRIAN GOIGINGER'S DER FUCHS (2022)
German Life and Letters, Volume 79, Issue 3, Page 351-364, July 2026.ABSTRACT This article examines one of the highest‐grossing films in recent years in Austria, Der Fuchs (Adrian Goiginger, 2022), which focuses on the friendship of the protagonist, a Wehrmacht soldier, with an abandoned fox cub, but in the process elides more than four years of the soldier's wartime experience.
Katya Krylova
wiley +1 more source
From Women’s Cinema to Women’s Horror Cinema: Genre and Gender in the Twenty-First Century [PDF]
, 2020 This dissertation addresses the shift from one fundamental genre in feminist film history (melodrama) to a contemporary one (horror), arguing that genre is a crucial tool for reconsidering women’s cinema.
Lupher, Sonia
core
International Journal of Systematic Theology, Volume 28, Issue 3, Page 299-317, July 2026.Abstract Ancient ideas about human transformation and divinization have resurfaced in our cultural moment. Artificial intelligence and biotechnology are raising afresh questions about what it means to be human and divine. The Oxford Handbook of Deification has arrived on the scene as its subject matter has splashed out of theological discourse into the
Andrew J. Byers
wiley +1 more source
Le corps dansant, trace d’un passé individuel et collectif, dans Tango de Carlos Saura
Interlitteraria, 2017 . Body and Dance: Traces of Individual and Collective Past in Carlos Saura’s Tango. It is difficult to ascertain at what moment precisely modern cinema was born: it is not easy because there are different kinds of modern movies. Here I want to talk about
Stéphanie Hontang
doaj +1 more source