Results 91 to 100 of about 185,539 (272)

Australasian horror special issue editorial : putting Australian and New Zealand horror movies on the map of cinema studies

, 2010
This Australasian horror special issue is an important step forward in putting Australian and New Zealand horror movies on the map of film and cinema studies as a subject worthy of intellectual debate. The journal issue is the first devoted solely to the
Ryan, Mark David
core  

Streaming Italian horror cinema in the United Kingdom: Lovefilm Instant

, 2017
This article investigates the distribution of Italian horror cinema in the age of video streaming, analysing its presence and categorization on the platform Lovefilm Instant UK, in order to investigate the importance of ‘niche’ in what is known as the ...
Stefano Baschiera
semanticscholar   +1 more source

Somerset Maugham's Failings

Critical Quarterly, EarlyView.
Allan Hepburn
wiley   +1 more source

“Strange can be quite normal”: How the environmental crisis becomes present in Han Kang's and Samanta Schweblin's “constructively alienating” environmental fiction

Orbis Litterarum, EarlyView.
Abstract This article presents the concept “constructive alienation” as a response to the oversaturation of apocalyptic environmental fiction that has contributed to deep‐seated desensitization toward the climate crisis, resulting in crisis of imagination (Ghosh, The Great Derangement: Climate change and the unthinkable, 2016; Solnit, If you win the ...
Agnethe Brounbjerg Bennedsgaard
wiley   +1 more source

JOE DANTE, O HORROR E O BAIXO ORÇAMENTO: PIRANHAS, GRITOS DE HORROR E DESENHOS ANIMADOS

Rebeca, 2016
Neste artigo estudaremos os dois primeiros longas que Joe Dante realizou após Hollywood Boulevard (codirigido por Allan Arkush), sua estreia no cinema: Piranha (1978) e Grito de horror (1981).
Sérgio Eduardo Alpendre de Oliveira
doaj   +1 more source

‘reportless places’: Janet Malcolm and Collage

Critical Quarterly, EarlyView.
Natalie Ferris
wiley   +1 more source

Radical dystopia: The comic modernism of George Orwell's Nineteen Eighty‐Four

Orbis Litterarum, EarlyView.
Abstract The present essay turns the received view of George Orwell's Nineteen Eighty‐Four on its head, arguing that Orwell's dystopian classic mobilizes the modernist techniques of T. S. Eliot's The Waste Land to lampoon the ideological fatalism of Eliot and other cultural conservatives.
Magnus Ullén
wiley   +1 more source

Middlebrow Aesthetics: An Explanation and Defense

Pacific Philosophical Quarterly, EarlyView.
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley   +1 more source

Italian horror cinema and Italian film journals of the 1970s

, 2016
This chapter focuses on the domestic reception of Italian horror cinema in journals and magazines during the 1970s in order to begin a process of understanding the ways in which the genre was valued, discussed and (less commonly) analysed by Italian ...
NOTO, PAOLO
core  

The First Fantasy Characters of the Mexican Cinema: from Ghosts to Vampires

Brumal: Revista de Investigación sobre lo Fantástico, 2017
This article explores the kind of fantasy characters of Mexican film between 1933 and 1969. The appearance of these characters is related to two periods of Mexican film industry: the thirties, an epoch of cinematic experimentation and the search of new ...
María Dolores Cabrera Carreón
doaj   +1 more source