The two sides of the scalpel: The polarizing image of surgery in early cinema. [PDF]
Henkel D.
europepmc +1 more source
Ambivalências do fantástico e do horror no cinema brasileiro
Este artigo analisa o filme As boas maneiras (2017), de Marco Dutra e Juliana Rojas, a partir de uma abordagem decolonial. O objetivo é investigar como a obra representa e tensiona as marcas da colonialidade nas relações de raça, gênero, sexualidade e ...
Letícia Capanema, Rodrigo Fonseca
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Cinema's Terrifying Realities: Pandemics, Zombification, and SARS-COV-2. [PDF]
Henkel D, Wijdicks EFM.
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El fantástico de Narciso Ibáñez Serrador
The viewers have been fascinated by the fantastic since the first years of the cinema. In Spain the fantastic hasn’t had a constant evolution, nevertheless a group of film makers achieved for a short but intense period of time, known as “Golden Age”, the
Aída Cordero Domínguez
doaj
Electroconvulsive therapy portrayal in contemporary video games. [PDF]
Buday J +13 more
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Reproductive technology's animal unconscious: multispecies motherhood and humanimal horror. [PDF]
Walton G, O'Key D.
europepmc +1 more source
The vampire in late communist cinema: from internal enemy to foreign threat. [PDF]
Martin AS.
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Domestic Violence on the Italian Screen: Representation and Resistance. [PDF]
Luciano B.
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The monstrous metallic in medicine and horror cinema.
`This paper considers the monstrous nature of medical tools and devices through the lens of horror cinema and the art of Damien Hirst. In it I argue for a shift from the monster and the monstrous as organic to the threat of the monster as an inorganic object in tools such as the scalpel and syringe. However, the metaphorical significance of the monster
openaire +1 more source
Lights, Camera, Stigma? Bollywood's Depiction of Mental Health Professionals: A Scoping Review. [PDF]
Moar DD, Mitra RK, Mittal S.
europepmc +1 more source

