Results 61 to 70 of about 185,539 (272)

Out of the dark – Psychological perspectives on people's fascination with true crime

open access: yesBritish Journal of Psychology, EarlyView.
Abstract The success of the true crime media genre reflects humanity's avid curiosity about violence, deviance, and murder, yet psychological research on this phenomenon is lacking. In this article, we highlight why true crime consumption may be relevant to various research fields that go beyond simple media preferences.
Corinna Perchtold‐Stefan   +5 more
wiley   +1 more source

Animais assassinos: as fronteiras do filme Natural Horror

open access: yesIlha do Desterro
Este artigo se propõe a uma análise do natural horror, subgênero do cinema de horror que apresenta animais não-humanos no papel de assassinos e monstros.
Rafael Conter
doaj   +1 more source

ENGLISH-ROLE OF RELIGION IN INDIAN CINEMA

open access: yesدی اسکالر, 2020
Relationship between cinema and religion is as old as the history of cinema. Since the beginning of commercial feature films in the sub-continent (now Pakistan, India and Bangladesh), religion was used as a tool of acceptance and popularity of this new ...
Zubair Shafiq   +2 more
doaj  

A cultura participativa no cinema de horror contemporâneo: apontamentos sobre o found footage

open access: yesRebeca, 2016
O artigo investiga o contexto de estabelecimento do subgênero found footage no cinema de horror contemporâneo. Os conceitos principais para tal são a cultura participativa (Henry Jenkins, 2009) e a reivindicação da veracidade no documentário (Patricia ...
Claudio Vescia Zanini
doaj   +1 more source

“Nature, Read in Tooth and Claw”

open access: yesHumanimalia, 2018
Katarina Gregersdotter, Johan Höglund, and Nicklas Hållén, Eds. Animal Horror Cinema: Genre, History and Criticism. New York: Palgrave MacMillan, 2015. 248 pp. $95.00 hc, $69.99 e-book.
Isaac Rooks
doaj   +1 more source

Witches, 'Bitches' or Feminist Trailblazers? The Witch in Folk Horror Cinema [PDF]

open access: yes, 2019
Witches have a long history in horror cinema but their status (feminist heroine or patriarchal monster?) continues to be the subject of critical debate.
Germaine Buckley, Chloe
core  

I, 'Madman': An Autosomatography of Schizoaffective Disorder and Mad Subjectivity

open access: yesDisability Studies Quarterly, 2018
This paper is a learning of schizoaffective disorder through the lenses of slasher-cinema studies literature, subjectivity camera theory, and Mad Studies.
Greg Procknow
doaj   +1 more source

Applied theory makeovers

open access: yesEconomica, EarlyView.
Abstract I argue that economists' distinction between ‘pure’ and ‘applied’ economic theory is often based on papers' stylistic markers rather than their methodology or scope. I illustrate this point with a model of price competition for boundedly rational consumers, due to Piccione and Spiegler. I first present its original, ‘pure style’ version.
Ran Spiegler
wiley   +1 more source

“Horror Film”: How the Term Came to Be [PDF]

open access: yesMonstrum, 2018
Traces how the term "horror film" came to be in 1930s writing on cinema, particularly around the release of Dracula and Frankenstein (both 1931).
Gary D. Rhodes
doaj  

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