Results 61 to 70 of about 185,539 (272)
The Birth of the American Horror Film by Gary D. Rhodes (Oxford University Press, 2018) [PDF]
Book ...
Anne Golden
doaj
Out of the dark – Psychological perspectives on people's fascination with true crime
Abstract The success of the true crime media genre reflects humanity's avid curiosity about violence, deviance, and murder, yet psychological research on this phenomenon is lacking. In this article, we highlight why true crime consumption may be relevant to various research fields that go beyond simple media preferences.
Corinna Perchtold‐Stefan +5 more
wiley +1 more source
Animais assassinos: as fronteiras do filme Natural Horror
Este artigo se propõe a uma análise do natural horror, subgênero do cinema de horror que apresenta animais não-humanos no papel de assassinos e monstros.
Rafael Conter
doaj +1 more source
ENGLISH-ROLE OF RELIGION IN INDIAN CINEMA
Relationship between cinema and religion is as old as the history of cinema. Since the beginning of commercial feature films in the sub-continent (now Pakistan, India and Bangladesh), religion was used as a tool of acceptance and popularity of this new ...
Zubair Shafiq +2 more
doaj
A cultura participativa no cinema de horror contemporâneo: apontamentos sobre o found footage
O artigo investiga o contexto de estabelecimento do subgênero found footage no cinema de horror contemporâneo. Os conceitos principais para tal são a cultura participativa (Henry Jenkins, 2009) e a reivindicação da veracidade no documentário (Patricia ...
Claudio Vescia Zanini
doaj +1 more source
“Nature, Read in Tooth and Claw”
Katarina Gregersdotter, Johan Höglund, and Nicklas Hållén, Eds. Animal Horror Cinema: Genre, History and Criticism. New York: Palgrave MacMillan, 2015. 248 pp. $95.00 hc, $69.99 e-book.
Isaac Rooks
doaj +1 more source
Witches, 'Bitches' or Feminist Trailblazers? The Witch in Folk Horror Cinema [PDF]
Witches have a long history in horror cinema but their status (feminist heroine or patriarchal monster?) continues to be the subject of critical debate.
Germaine Buckley, Chloe
core
I, 'Madman': An Autosomatography of Schizoaffective Disorder and Mad Subjectivity
This paper is a learning of schizoaffective disorder through the lenses of slasher-cinema studies literature, subjectivity camera theory, and Mad Studies.
Greg Procknow
doaj +1 more source
Abstract I argue that economists' distinction between ‘pure’ and ‘applied’ economic theory is often based on papers' stylistic markers rather than their methodology or scope. I illustrate this point with a model of price competition for boundedly rational consumers, due to Piccione and Spiegler. I first present its original, ‘pure style’ version.
Ran Spiegler
wiley +1 more source
“Horror Film”: How the Term Came to Be [PDF]
Traces how the term "horror film" came to be in 1930s writing on cinema, particularly around the release of Dracula and Frankenstein (both 1931).
Gary D. Rhodes
doaj

