Results 51 to 60 of about 78,165 (250)

“Game over, man. Game over”:looking at the Alien in film and videogames [PDF]

, 2018
In this article we discuss videogame adaptations of the Alien series of films, in particular Alien: Colonial Marines (2013) and Alien: Isolation (2014).
Jayemanne, Darshana, Keogh, Brendan
core   +3 more sources

ENGLISH-ROLE OF RELIGION IN INDIAN CINEMA

دی اسکالر, 2020
Relationship between cinema and religion is as old as the history of cinema. Since the beginning of commercial feature films in the sub-continent (now Pakistan, India and Bangladesh), religion was used as a tool of acceptance and popularity of this new ...
Zubair Shafiq, Tanveer Hussain, Hafiz Ahmad Ali   +2 more
doaj  

“Nature, Read in Tooth and Claw”

Humanimalia, 2018
Katarina Gregersdotter, Johan Höglund, and Nicklas Hållén, Eds. Animal Horror Cinema: Genre, History and Criticism. New York: Palgrave MacMillan, 2015. 248 pp. $95.00 hc, $69.99 e-book.
Isaac Rooks
doaj   +1 more source

Effects of the dominant in Secret Window. [PDF]

, 2008
This paper seeks to identify and examine 'problematic' aesthetic strategies in David Koepp's Secret Window (2004). Arguing that the film fits into a specific 'puzzle film' category favouring self-deceiving protagonists and surprise twists, the paper ...
Bettinson, Gary
core   +1 more source

I, 'Madman': An Autosomatography of Schizoaffective Disorder and Mad Subjectivity

Disability Studies Quarterly, 2018
This paper is a learning of schizoaffective disorder through the lenses of slasher-cinema studies literature, subjectivity camera theory, and Mad Studies.
Greg Procknow
doaj   +1 more source

The Canadian Horror Film: Terror of the Soul edited by Gina Freitag and Andre Loiselle [PDF]

, 2016
Review of Gina Freitag\u27s and Andre Loiselle\u27s The Canadian Horror Film: Terror of the ...
Schell, Jennifer
core   +1 more source

Por um modelo actancial do corpo em metamorfose no cinema de horror

Estudos Semióticos, 2013
Não há como escapar da afirmação de que o cinema de horror postula as agruras do medo na representação grotesca do corpo. Um subgênero que desponta desse tipo de cinema é o horror corporal, em que o efeito de sentido do medo é proveniente da ...
Odair José Moreira da Silva
doaj   +1 more source

The technologies of isolation: apocalypse and self in Kurosawa Kiyoshi's Kairo [PDF]

, 2010
In this investigation of the Japanese film Kairo, I contemplate how the horrors present in the film relate to the issue of self, by examining a number of interlocking motifs. These include thematic foci on disease and technology which are more intimately
Alcabes Philip, Balsamo Anne, Balshaw Maria, Baudrillard Jean, Berriman Ian, Bhattacharyya Gargi, Bukatman Scott, Bukatman Scott, Deleuze Gilles, Dennett Daniel, Goldman Steven L., Harpold Terry, Hills Matt, Ihde Don, Jones Richard A. L., Kennedy Liam, Kruger Steven F., Kunkle Sheila, Kurtzweil Ray, Lees Andrew, Leonard Eileen B., Lewis Graham, Masai Yasuo, McRoy Jay, Perlman Michael, Preston Samuel, Sharrett Christopher, Shaviro Steven, Smith Marquard, Smith Marquard, Tsuji Masatsugu, Weimer David R., Wittner David, Wolmark Jenny   +33 more
core   +1 more source

“Horror Film”: How the Term Came to Be [PDF]

Monstrum, 2018
Traces how the term "horror film" came to be in 1930s writing on cinema, particularly around the release of Dracula and Frankenstein (both 1931).
Gary D. Rhodes
doaj  

Zumbis no cinema brasileiro: uma abordagem paracinemática

Rumores, 2014
Um dos monstros mais populares do imaginário do cinema de horror internacional desde a década de 1930, o zumbi demorou a aparecer no cinema brasileiro, e tem permanecido uma figura marginal nos filmes produzidos no país.
Rodrigo Carreiro
doaj   +1 more source