Dis/Possessing the Polish Past in Marcin Wrona’s Demon
Humanities, 2020 The article examines how Marcin Wrona’s Demon (2015) reworks the Jewish myth of a dybbuk in order to discuss how and to what extent a spectral haunting may disrupt acts of collective forgetting, which are in turn fueled by repression, repudiation, and ...
Agnieszka Kotwasińska
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From Social Allegory to Political Statement: Academic Reception of American Horror of the 21st Century [PDF]
Антиномии, 2023 For a long time, horror was an entertaining cinema genre. Since the late 1970s, critics and scholars have gradually started to examine it in terms of social and political content, often conveyed allegorically.
Alexander V. Pavlov
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Death of the image/the image of death: Temporality, torture and transience in Sunohara Yuuri and Akita Masami’s Harakiri Cycle [PDF]
, 2011 Sunohara Yuuri and Akita Masami's series of six seppuku films (1990) are solely constituted by images of fictionalized death, revolving around the prolonged selftorture of a lone figure committing harakiri. I contend that the protagonist's autoimmolation
Jones, Steve
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Horror and Memory: Traces of Collective Memory in Turkish Horror Cinema
4. Boyut Medya ve Kültürel Çalışmalar DergisiThe deep narrative universe of Turkish horror cinema that reflects collective memory, Islamic and Turkish mythology, spatial reminders and traumatic memories combine to offer individuals a story that is both familiar and uncanny. In addition to examining
Çağla Coşar
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Selling Horror: the early Warren comics magazines
Comicalités, 2021 Creepy and Eerie, two horror comics magazines published by Warren Publishing after 1964 are commonly read as the heirs to the horror titles put out by EC Comics in the previous decades.
Nicolas Labarre
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Le monstre dans la philosophie contemporaine de l’horreur cinématographique
Amerika, 2014 Noël Carroll’s The Philosophy of Horror, the most discussed book in the anglo-saxon philosophy of horror cinema, depends a lot on the notion of monster as a scientific impossibility.
Hugo Clémot
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Literatura e cinema de horror/terror para o ensino de língua inglesa no Ensino Médio
LínguaTec, 2020 Esta narrativa de ensino, voltada para o ensino-aprendizagem de língua inglesa, relata o desenvolvimento do projeto que tem em seu cerne a ficção de horror/terror na literatura e no cinema.
Thiago de Freitas Santos
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The Pleasure of Fear and the Temptation of the Thriller in Horror Cinema
الاكاديمي, 2019 In the theory of cinema genre, horror films are at the forefront of the list. It is one of the oldest genres that saw the light with the early emergence of cinema, taking advantage of literary works, especially Gothic literature and it continues to this ...
Kadhim Moans Aziz
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An Examination of Halloween Literature And its Effect on the Horror Genre [PDF]
This thesis will explore the effect of Halloween narratives in the wider horror genre. This will be accomplished by means of a close textual analysis with novels such as The Halloween Tree (1972) and films such as Trick ‘r Treat (2008) and Boys in the ...
Wylde, Benjamin
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O Triunfo da Vontade (Leni Riefenstahl, 1934): Nazismo versus estética cinematográfica
Forma Breve, 2015 O documentário O Triunfo da Vontade, de Leni Riefenstahl (1934) projeta o antagonismo entre o horror de uma doutrina e a essência da arte cinematográfica! Como é que se conjugam a propaganda e a arte, a ideologia e a câmara, o horror e a beleza?
Anabela Dinis Branco de Oliveira
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