Results 31 to 40 of about 185,539 (272)
Le monstre dans la philosophie contemporaine de l’horreur cinématographique
Noël Carroll’s The Philosophy of Horror, the most discussed book in the anglo-saxon philosophy of horror cinema, depends a lot on the notion of monster as a scientific impossibility.
Hugo Clémot
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Eat the Rich: Pandemic Horror Cinema [PDF]
This essay posits that pandemic horror cinema speeds up the slow violence of the pandemic so that political stakes become apparent. Thus, pandemic horror cinema enables an eloquent conversation on the relation between the imagined diseases of the Other ...
J. Höglund
semanticscholar +2 more sources
The Pleasure of Fear and the Temptation of the Thriller in Horror Cinema
In the theory of cinema genre, horror films are at the forefront of the list. It is one of the oldest genres that saw the light with the early emergence of cinema, taking advantage of literary works, especially Gothic literature and it continues to this ...
Kadhim Moans Aziz
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IMAGES OF WORLD WAR II IN CONTEMPORARY HORROR CINEMA: CULTURAL CODES
This article addresses the problem of contemporary European vision of the results of World War II through the prism of cinema, namely, a specific genre: horror.
E. Radaeva
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Decolonialidade e contravisualidade no cinema de horror negro brasileiro
O presente artigo objetiva discutir o cinema de horror negro brasileiro, conectando-o à abordagem decolonial e ao conceito de contravisualidade, a partir de uma análise do curta-metragem Gênesis 22 (1999), do diretor Jeferson De. Para tanto, parte-se do
Lucas Bitencourt Fortes, Daniela Ripoll
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Literatura e cinema de horror/terror para o ensino de língua inglesa no Ensino Médio
Esta narrativa de ensino, voltada para o ensino-aprendizagem de língua inglesa, relata o desenvolvimento do projeto que tem em seu cerne a ficção de horror/terror na literatura e no cinema.
Thiago de Freitas Santos
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O Triunfo da Vontade (Leni Riefenstahl, 1934): Nazismo versus estética cinematográfica
O documentário O Triunfo da Vontade, de Leni Riefenstahl (1934) projeta o antagonismo entre o horror de uma doutrina e a essência da arte cinematográfica! Como é que se conjugam a propaganda e a arte, a ideologia e a câmara, o horror e a beleza?
Anabela Dinis Branco de Oliveira
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Performing Integrity: Managing Misalignment while Researching Transgressive Social Worlds
The qualitative literature criticizing REBs suggests that researchers should develop an approach to research ethics that does justice to their daily practice of fieldwork. In this article, I contribute to this exploration by presenting three cases of negotiating research ethics while researching transgressive social worlds.
Thaddeus Müller
wiley +1 more source
Video Nasty: the moral apocalypse in Koji Suzuki's Ring [PDF]
Although overshadowed by its filmic adaptations (Hideo Nakata, 1998 and Gore Verbinski, 2002), Koji Suzuki’s novel Ring (1991) is at the heart of the international explosion of interest in Japanese horror.
Steve Jones, Jones, Steve
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Ficção do horror e a alegoria do monstruoso: interfaces entre psicanálise e estudos queer
Este artigo investiga as interfaces entre psicanálise, estudos queer e cinema de horror, destacando o potencial desse gênero em abordar questões de gênero, sexualidade e identidade.
Lucas Dourado Leão
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