Results 11 to 20 of about 673 (193)
Journal of Italian Cinema & Media Studies, 2017 Abstract
Fisher, Austin, Walker, J.
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Schermi, 2021 The article deals with a form of film censorship enacted from the late 1910s to the mid- 1970s by the Italian state: the so-called “preventive censorship”, i. e. the pre-shooting check of the screenplays that Italian producers wanted to turn into movies.
Michael Guarneri
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MYSTERY IN TECHNO-HORROR. ON THE EXAMPLE OF KAIRO (2001) BY KIYOSHI KUROSAWA
Litteraria Copernicana, 2014 In my paper I focused on the concept of horror cinema, and on how Japanese horror films functions in reception by a modern viewer. I also try to analyse interrelations between American and Japanese horror movies. I refer to the Kairo as the evidence of a
Małgorzata Major
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Da cintilância à explosão: a intermitência luminosa como forma horrífica espetacular
Rebeca, 2016 Este artigo tem o objetivo de analisar a intermitência luminosa no cinema de horror. Busca-se ponderar acerca de suas funções narrativas e estéticas e de sua recorrência, e espera-se localizar suas raízes e desdobramentos no âmbito da história do cinema.
João Vitor Resende Leal
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Horror and Memory: Traces of Collective Memory in Turkish Horror Cinema
4. Boyut Medya ve Kültürel Çalışmalar DergisiThe deep narrative universe of Turkish horror cinema that reflects collective memory, Islamic and Turkish mythology, spatial reminders and traumatic memories combine to offer individuals a story that is both familiar and uncanny. In addition to examining
Çağla Coşar
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Selling Horror: the early Warren comics magazines
Comicalités, 2021 Creepy and Eerie, two horror comics magazines published by Warren Publishing after 1964 are commonly read as the heirs to the horror titles put out by EC Comics in the previous decades.
Nicolas Labarre
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Le monstre dans la philosophie contemporaine de l’horreur cinématographique
Amerika, 2014 Noël Carroll’s The Philosophy of Horror, the most discussed book in the anglo-saxon philosophy of horror cinema, depends a lot on the notion of monster as a scientific impossibility.
Hugo Clémot
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Dis/Possessing the Polish Past in Marcin Wrona’s Demon
Humanities, 2020 The article examines how Marcin Wrona’s Demon (2015) reworks the Jewish myth of a dybbuk in order to discuss how and to what extent a spectral haunting may disrupt acts of collective forgetting, which are in turn fueled by repression, repudiation, and ...
Agnieszka Kotwasińska
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Decolonialidade e contravisualidade no cinema de horror negro brasileiro
(Des)troçosO presente artigo objetiva discutir o cinema de horror negro brasileiro, conectando-o à abordagem decolonial e ao conceito de contravisualidade, a partir de uma análise do curta-metragem Gênesis 22 (1999), do diretor Jeferson De. Para tanto, parte-se do
Lucas Bitencourt Fortes, Daniela Ripoll
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The Pleasure of Fear and the Temptation of the Thriller in Horror Cinema
الاكاديمي, 2019 In the theory of cinema genre, horror films are at the forefront of the list. It is one of the oldest genres that saw the light with the early emergence of cinema, taking advantage of literary works, especially Gothic literature and it continues to this ...
Kadhim Moans Aziz
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