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The antagonist representations in horror films demonstrate how cultural symptoms of a community respond to fear. The diachronic analysis in this study employs a mixed method to analyze the dynamics of antagonist representation in Indonesian horror films.
Justito Adiprasetio
exaly +4 more sources
Zombie-Themes Outbreak Films and World War Z (2013)
There are many subgenres and a diverse range of creatures in horror cinema. One of these creatures is the Zombie. The Zombie character in cinema has evolved through eras.
Barış Tolga Ekinci
doaj +1 more source
Horror cinema and sadistic spectacle: A further defense of gorefests
Dismemberment via chainsaw, consuming organs from a living person, turning a body inside out via spectral hooks. Horror cinema is no stranger to intense, often controversial imagery.
Marius A. Pascale
semanticscholar +1 more source
Between Profit and Quality; A Challenge of Indonesian Cinema
Horror is one of the most popular film genres, particularly among Indonesians. One of the reasons the Indonesian people love watching a horror movie is because of the sensation of a jump scare.
Puji Lestari, Lambok Hermanto Sihombing
doaj +1 more source
Blood as a Fashion Statement: On the Trend of ‘Abjection Chic’ in Contemporary Horror Cinema
centrality
Milo Farragher-Hanks
semanticscholar +1 more source
Onde Vivem os Monstros? Enlaces entre Cinema, Adolescência e Horror
Partindo da ideia de Stephen King de que as produções de horror servem como um barômetro muito preciso que aponta aquilo que aterroriza uma sociedade, este artigo tem como objetivo propor uma reflexão acerca dos enlaces entre adolescência, cinema e ...
Bruna Rabello de Moraes +2 more
doaj +1 more source
Book review: McKenna, M. & Proctor, W. (Eds.), (2021). Horror Franchise Cinema. Routledge.
Alexander V. Pavlov
doaj +1 more source
Towards a feminist historiography of horror cinema
Jackie Kong released four feature films between 1981 and 1987, including the horror films The Being (1981) and Blood Diner (1987). She directed all four films, while also working variously as screenwriter, producer and editor on individual productions ...
A. Peirse
semanticscholar +1 more source
Conservative Themes in Turkish Horror Cinema
This study is based on the idea that cultural productions cannot be assessed independent from social experiences of the era they are produced in, and that movies can be considered descriptive and critical instruments which illuminate ideological ...
Selin Celik
semanticscholar +1 more source
Among the hundreds of horror films produced so far in the twenty-first century, there have been quite a few prominent trends, many of which are explored elsewhere in this special journal issue: found footage horror, “torture porn,” zombie films ...
Xavier Aldana Reyes
semanticscholar +1 more source

