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Japanese Horror Cinema and Deleuze
2022Using theories of national, transnational and world cinema, and genre theories and psychoanlaysis as the basis of its argument, Japanese Horror Cinema and Deleuze argues that these understandings of Japanese horror films can be extended in new ways through the philosophy of Deleuze.
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Contemporary British Horror Cinema
2015Combining industrial research and primary interview material with detailed textual analysis, Contemporary British Horror Cinema looks beyond the dominant paradigms which have explained away British horror in the past, and sheds light on one of the most dynamic and distinctive – yet scarcely talked about – areas of contemporary British film production ...
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This is the first study to explore South Africa both in horror cinema and as a formidable producer of celluloid scares. From framing the notorious apartheid system as a mental asylum in the ground-breaking and criminally underseenJannie Totsiens(Jans Rautenbach, 1970) to such seventies exploitation shockers asThe Demon(Percival Rubens,
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Historical Dictionary of Horror Cinema
2017Horror is one of the most enduring and controversial of all cinematic genres. Horror films range from subtle and poetic to graphic and gory, but what links them together is their ability to frighten, disturb, shock, provoke, delight, irritate, and amuse audiences.
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