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Middlebrow Aesthetics: An Explanation and Defense
ABSTRACT We offer a philosophical account of the middlebrow as a theoretical category to do explanatory and critical work in aesthetics. On our account, the middlebrow ought to be understood as aspirational popular art. That is, it is art which aspires both to be popular (in a distinctive sense), and at the same time to be something more than popular ...
Aaron Meskin, Jonathan M. Weinberg
wiley +1 more source
The Official Student Newspaper of UAS [PDF]
Editorial / Whalesong Staff -- Alaska's Sweet New Cash Crop -- UAS In Brief -- Oratory: The Story of UAS -- Oratory: Finding Your Path / Wellness Q&A -- Title IX and UAS -- Blacklight Dodgeball / Food Sovereignty Friday -- Animal Soldiers -- "Get Out:" A
core
Abstract This article examines the assassination of Duma representative Mikhail Gertsenshtein in July 1906 as the pivotal moment for the emergence of the concept of “right‐wing terrorism” (pravyi terrorizm) in the Russian Empire. Drawing on court documents, police files, and censorship reports, this article argues that the significance of the ...
Moritz Florin
wiley +1 more source
Rights, respect, and the duty to obey the law
Journal of Social Philosophy, EarlyView.
Shruta Swarup
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Abstract How did World War II affect the nature and resilience of Soviet institutions and authority, especially in the extreme case of the Blockade of Leningrad? During the Blockade, Leningraders acted with great agency by engaging in the shadow trade of food and shadow talk for information and community in order to survive.
Jeffrey K. Hass, Nikita A. Lomagin
wiley +1 more source
Reconceptualizing Crisis: An Empirically Based Investigation
Crisis is predominantly characterized in terms of its detrimental consequences. Drawing on in‐depth semi‐structured interviews in Melbourne and Taipei, the article provides a critical and distinctive understanding of crisis. Crisis is conceptualized here as a disruptive prefiguring of new possibilities, both agentic and structural.
Xiaoying Qi
wiley +1 more source
Gender and Contemporary Horror in Film
This edited collection focuses on gender and contemporary horror in film, examining how and if representations of gender in horror have changed.
S. Holland
semanticscholar +1 more source
Fossil Hegemony and Capitalist Realism in Tropic of Orange
ABSTRACT This article examines Karen Tei Yamashita's Tropic of Orange (1997) through the lens of Mark Fisher's influential concept ‘capitalist realism’. Scholars of petrofiction have pointed to a political ambivalence in the representation of fossil fuels, where a better understanding of fossil capital can overwhelm as much as galvanize.
Claire Ravenscroft
wiley +1 more source
This article argues that queer theories of affect not only offer an alternative approach to analyzing the horror film in the twenty-first century, but also that a new wave of horror media negotiates its social criticism in newly queer ways. Analyzing Ari
Lukas Hellmuth
doaj +1 more source

