Results 111 to 120 of about 2,572,711 (267)

Zombies and the Post-colonial Italian Unconscious

open access: yesCinergie, 2013
This article analyses the relationship between the horror genre and colonialism by focusing on Lucio Fulci’s Zombi 2 (1979) and discusses how and to what extent the colonial overtones of this film provide a fictional representation of the Italian ...
Simone Brioni
doaj   +1 more source

Perverse pleasures: Spectatorship- The blair witch project [PDF]

open access: yes, 2006
Student Number : 9803476V - MA research report - School of Arts - Faculty of HumanitiesBy drawing on contemporary scholarship that addresses spectatorship in the cinema generally, and in the horror genre specifically, I analyze the perverse pleasure ...
Hayter, Tamiko Southcott
core  

The chatbot's real self: On the archaeology of artificial personas Le vrai soi du chatbot: vers une archéologie des personnes artificielles

open access: yesJournal of Linguistic Anthropology, Volume 36, Issue 1, May 2026.
Abstract From the beginning of widespread public interactions with ChatGPT and other large language models, some users have seen the disfluencies of chatbots as opportunities for them to go on an archaeological search for an unfettered chatbot persona that they need to jailbreak. These are not claims of sentience, but rather of personhood.
Courtney Handman
wiley   +1 more source

Pornografi dalam Balutan Film Bertema Horor Mistik di Indonesia

open access: yesHumaniora, 2011
The film industry in Indonesia has been through ups and downs. As an industry, thus there are usual things the film creators done to take financial benefit from the film industry.
Erni Herawati
doaj   +1 more source

The Dynamics of Reading Genre Fiction: Researching and Teaching Interpretive Practices

open access: yesReading Research Quarterly, Volume 61, Issue 2, April/May/June 2026.
Conceptual model positioning genre fiction as a site for studying how narrative form organizes reader interpretation, identifying four dynamics—iterability, narrative interest, serialization, and spectacle—to guide empirical research on reading processes.
Robert Jean LeBlanc, Amy Stornaiuolo
wiley   +1 more source

Jungian categories as modes of reading: The case of Graham Greene's The Heart of the Matter and Aldous Huxley's Time Must Have a Stop

open access: yesOrbis Litterarum, Volume 81, Issue 2, Page 89-110, April 2026.
Abstract This essay advocates renewed attention toward Jungian literary criticism, emphasizing its unique and creative perspectives on both fictional worlds and on reading. A fresh turn to Jungian criticism offers, in particular, valuable insight for texts on the peripheries of the canon.
Edsel Parke
wiley   +1 more source

The horror film genre as an interpretive device in an adaptation of Tennessee Williams 's Suddenly last summer [PDF]

open access: yes, 2008
As my thesis, I have made an adaptation for film of Suddenly Last Summer by Tennessee Williams. The play tells the story of a young woman, Catharine Holly, who has been institutionalized shortly after her return to New Orleans from a vacation on the ...
Kirlew, Akil
core  

Existential and Phenomenological Horror in Les Diaboliques

open access: yesFilm-Philosophy
This article will show how, through an expressionist style that references Gothic and noir cinema, Les Diaboliques (Henri-Georges Clouzot, 1955) mediates concepts found in contemporary post-war French existentialism, in particular the phenomenology of ...
Daniel Tilsley
doaj   +1 more source

REPRESENTASI PEREMPUAN DALAM FILM HOROR INDONESIA (STUDI SEMIOTIKA CHARLES SANDERS PIERCE TERHADAP FILM PENGABDI SETAN 2 COMMUNION KARYA JOKO ANWAR) [PDF]

open access: yes
Films are a means of entertainment that is quite popular among various groups of people. Films not only provide an enjoyable experience, but there are messages and morals that we can take away.
Mubarrok, Anggara Zakky
core  

DECODING FEAR: SEMIOTIC INTERPRETATION OF CHILD IMAGERY IN INDONESIAN HORROR FILM POSTERS

open access: yesFrasa
This study examines the representation of anxiety through child imagery in Indonesian horror film posters, employing Roland Barthes’ semiotic framework.
Dini Anggraheni   +3 more
doaj   +1 more source

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