Results 11 to 20 of about 2,572,711 (267)
Frontiers in Psychology, 2019 Why do we watch and like horror films? Despite a century of horror film making and entertainment, little research has examined the human motivation to watch fictional horror and how horror film influences individuals’ behavioral, cognitive, and emotional
G. Neil Martin
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Schermi, 2021 The article deals with a form of film censorship enacted from the late 1910s to the mid- 1970s by the Italian state: the so-called “preventive censorship”, i. e. the pre-shooting check of the screenplays that Italian producers wanted to turn into movies.
Michael Guarneri
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Analisis Semiotika Terhadap Tokoh Utama Perempuan dalam Film Perempuan Tanah Jahanam
Az-Zahra, 2023 Horror is still a popular genre in the growth of Indonesian films. Female characters are often featured iconically in the narrative of a horror film. However, there is a negative stigma about the presence of female characters in horror films who appear ...
Glen Aviaro Samanda, Ade Kusuma
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Film Horor Sebuah Definisi yang Berubah
Wacana: Journal of the Humanities of Indonesia, 2003 Horror film is a film genre that presents things that are frightening, tense, and horrifying. The idea of horror film is basically to terrorize the audience through various terrifying acts or actors.
M. Yoesoef
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Psychophysiological correlates of sexually and non-sexually motivated attention to film clips in a workload task. [PDF]
PLoS ONE, 2011 Some authors have speculated that the cognitive component (P3) of the Event-Related Potential (ERP) can function as a psychophysiological measure of sexual interest. The aim of this study was to determine if the P3 ERP component in a workload task can be
Sandra Carvalho +3 more
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'From grade B thrillers to deluxe chillers': prestige horror, female audiences, and allegories of spectatorship in The Spiral Staircase (1946) [PDF]
, 2009 This paper examines the prestige ‘shocker’ The Spiral Staircase (1946), suggesting that it challenges the perception of the decline in quality in the horror genre in the 1940s, as well as assumptions in scholarship that the genre has historically been ...
Snelson, Tim
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Emotion Review, 2021 Many of the most popular and critically acclaimed horror films feature grief as a central theme. This article argues that horror films are especially suited to portraying and communicating the phenomenology of grief. We explore two overlapping claims.
Becky Millar, Jonny Lee
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NECSUS, 2017 This article proposes a feminist reading of Guillermo del Toro’s horror-ghost film CRIMSON PEAK (2015) that is based on the film’s allusions to nineteenth-century female gothic writing and the slasher’s final girl trope.
Evangelia Kindinger
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Analisis Film Horor Indonesia Produksi Tahun 2014 (Studi Kasus: Mall Klender dan Kamar 207)
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia, 2018 Abstrak Film horor erat kaitannya dengan tokoh antagonis yang menimbulkan ketakutan pada penonton dalam bentuk makhluk supranatural seperti hantu, roh jahat dan sebagainya.
Dedi Sukatno Sembiring Meliala +1 more
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Found-Footage Horror and the Frame's Undoing [PDF]
, 2016 This essay finds in the found-footage horror cycle an alternative way of understanding the relationship between horror films and reality, which is usually discussed in terms of allegory.
Sayad, Cecilia
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