Results 11 to 20 of about 1,690 (197)
Psychophysiological correlates of sexually and non-sexually motivated attention to film clips in a workload task. [PDF]
PLoS ONE, 2011 Some authors have speculated that the cognitive component (P3) of the Event-Related Potential (ERP) can function as a psychophysiological measure of sexual interest. The aim of this study was to determine if the P3 ERP component in a workload task can be
Sandra Carvalho +3 more
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NECSUS, 2017 This article proposes a feminist reading of Guillermo del Toro’s horror-ghost film CRIMSON PEAK (2015) that is based on the film’s allusions to nineteenth-century female gothic writing and the slasher’s final girl trope.
Evangelia Kindinger
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Analisis Film Horor Indonesia Produksi Tahun 2014 (Studi Kasus: Mall Klender dan Kamar 207)
ANDHARUPA: Jurnal Desain Komunikasi Visual & Multimedia, 2018 Abstrak Film horor erat kaitannya dengan tokoh antagonis yang menimbulkan ketakutan pada penonton dalam bentuk makhluk supranatural seperti hantu, roh jahat dan sebagainya.
Dedi Sukatno Sembiring Meliala +1 more
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Review: Horror Film: A Critical Introduction by Murray Leeder
Open Screens, 2018 This is a book review of Horror Film: A Critical Introduction by Murray Leeder, a comprehensive yet concise introductory guide to horror cinema.
John Lynskey
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Cogent Arts & Humanities, 2023 The antagonist representations in horror films demonstrate how cultural symptoms of a community respond to fear. The diachronic analysis in this study employs a mixed method to analyze the dynamics of antagonist representation in Indonesian horror films.
Justito Adiprasetio
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Humanities, 2021 In this article, I consider the representation of African-Caribbean religions in the early horror adventure film from a postcolonial perspective. I do so by zooming in on Ouanga (1935), Obeah (1935), and Devil’s Daughter (1939), three low-budget horror ...
Emiel Martens
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Gothic/Giallo/Genre: hybrid images in Italian horror cinema, 1956-82
Ilha do Desterro, 2012 Italian horror cinema is commonly divided into two periods and genres. An initial classical Gothic period spanned the years from 1956 to 1966 and was followed by a modern giallo (thriller) period from 1970 to 1982.
Keith H Brown
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Transformative Works and CulturesBlack horror is often investigated within film and television studies, but there is a lack of further inquiry into how Black horror exists within fandom, audience, and podcast studies.
Mel Monier, Kristen Leer
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Performing Integrity: Managing Misalignment while Researching Transgressive Social Worlds
Symbolic Interaction, EarlyView.The qualitative literature criticizing REBs suggests that researchers should develop an approach to research ethics that does justice to their daily practice of fieldwork. In this article, I contribute to this exploration by presenting three cases of negotiating research ethics while researching transgressive social worlds.
Thaddeus Müller
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The Hidden Hallyu Emerged: Exploring the Key Motives of Reading Adapted K‐Webtoons of South Korea
Thunderbird International Business Review, EarlyView.ABSTRACT This study aims to investigate why global fans read Korean webtoons (K‐webtoons) and how their motivations vary across different genres. Previous studies have approached the Korean Wave (Hallyu) from a national perspective, emphasizing its influence and primarily discussing K‐pop and K‐drama.
Hoseok Gwak +3 more
wiley +1 more source