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Moors, Social Anxiety and Horror in Thomas Rawlins's The Rebellion

2006
In her article, Anna Fåhraeus contextualizes race within multiple images of social horror in Thomas Rawlins’s little-discussed tragedy The Rebellion (1640). While racial representation of the Moors in the play adheres to stereotype, Fåhraeus contends that the multiple racial doubling works to interrogate the certainty of nature versus culture in ...
openaire   +1 more source

From book to stage to screen: semiotic transformations of Gothic horror genre conventions

Social Semiotics, 2016
Sabine Tan   +2 more
exaly  

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