Results 41 to 50 of about 264 (116)
Houellebecq’s Priapism: The Failure of Sexual Liberation in Michel Houellebecq’s Novels and Essays
"Presenting a vision of a post-industrial neoliberal consumer society obsessed with pleasure and desire, dictating how the individual must desire and enjoy, Houellebecq’s art discloses how Western societies’ instinctual structure entails an alienated, stressed, and frustrated libido.
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Emerging subdisciplines in ethnology and anthropology of Serbia: research trends at the Faculty of Philosophy, University of Belgrade. [PDF]
Vučinić Nešković V.
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L’équivoque chez Michel Houellebecq : subtilités d’un personnage ambigu
Michel Houellebecq is a French acute writer whose offensive words – in his novels or in his public comments – are quite many; however, more often than not, they are metaphoric or in second degree, calling for another interpretation’s level.
Corina da Rocha Soares
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Dutch Author Recognition Test. [PDF]
Brysbaert M, Sui L, Dirix N, Hintz F.
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Notre contribution se veut un essai d’analyse de ce qui nous parait être un processus engendrant certaines tensions intercommunautaires en France.
Ismail Slimani
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Houellebecq: relaciones y trasvases entre literatura, sociología y cine
Hay diversos estudios sobre las adaptaciones de la literatura al cine y viceversa, sobre la teoría de esas adaptaciones, sobre películas o libros concretos que han pasado por este proceso, pero no son muy abundantes las correspondientes a un escritor en ...
Juan Bastida Fernández
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Traces of Transhumanism in Michel Houellebecq’s Novel Elementary Particles
Transhumanism sees the next step of the evolution of humanity in technology, together with the developments in the twentieth century and the influence of positivism.
Buğra Şengel
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Michel Houellebecq: Event Kidnapping
The aim of this paper is to discuss the preview of the film by G. Nicloux, The Kidnapping of Michel Houellebecq. Is film pragmatics possible? How are the cooperative rules followed or disregarded? These are the questions that the paper tackles, according to Genette's theoretical framework of metalepsis and in the view of Houellebecq's poetics, which is
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