Results 1 to 10 of about 116 (100)
The Weirdness of Hyperobjects [PDF]
Pulse, 2021 Global weirding, a phrase coined by Hunter Lovins and popularised by Thomas Friedman, has garnered a modicum of prominence since its popularisation in the late 2000s. It was coined as a replacement for global warming, with the abnormal effects of climate
Steffan Jenkins
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Performance Philosophy, 2018 Through the words of Timothy Morton’s Hyperobjects: Philosophy and Ecology after the End of the World (2013), the adapted practice of distant reading, the lens of current neuroscience, and the flavor of non-philosophy, artist Mel Keiser transmutes a text
Mel Keiser
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The Hyperobject's Atomization of "Self" in Gravity's Rainbow
Orbit, 2015 This article further inspects the Rocket and Schwarzgerät at the center of Thomas Pynchon’s Gravity’s Rainbow (1974). Though scholars commonly employ the Rocket as a metaphor and symbol by which they analyze plot and characters, I inverse this approach ...
Trevor Jay Martinson
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Composition as Hyperobject [PDF]
Apria, 2021 This article considers compositional practice in relation to Timothy Morton's ideas surrounding the hyperobject. The aim is not to analyse compositional practice through the prism of the hyperobject or indeed apply the concept to composition. Rather, I allude to Morton's ideas as a way to think through some aspects of compositional practice.
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The Hyperobject and the White Cube: The “Strange Stranger” in Douglas Coupland’s Canada House
Open Cultural Studies, 2018 Douglas Coupland’s site-specific installation Canada House, temporarily erected in 2004 in a house deemed by locals to be a “tear down” in a Vancouver suburb, unwittingly captured the zeitgeist of the era eco-critics and theorists have named the ...
Polyck-O’Neill Julia
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The Anthropocene as a historical hyperobject
Rethinking History, 2022 Daniel Rueda
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Il Concetto di "Hyperobject" nella Geografia Contemporanea
Glocalism: Journal of Culture, Politics and Innovation, 2016 The philosophical notion of Hyperobject, as proposed by Timothy Morton (2013), might be a useful tool to reframe some of the key issues in human-environment relationships.
Andrea Marini, Emiliano Tolusso
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Images, 2023 The article examines the ways in which the slowly evolving and invisible processes of the ongoing ecological crisis can be represented in the format of a contemporary serial television drama.
Anna Mrozewicz
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La pandemia come opportunità del radicalmente nuovo? Sull'uso politico della nozione di catastrofe ai tempi dell'Antropocene [PDF]
Laboratorio dell'ISPF, 2020 Moving from a definition of the idea of catastrophe, this article tries a conceptual definition of the coronavirus pandemic. Pandemic is a complex concept, which opens new perspectives about the nature of our way of life.
Delio Salottolo
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To nie jest sprawa dla detektywa: opowieści o pandemii jako hiperobiekcie
Jednak Książki, 2022 Taking as its starting point Timothy Morton’s theory of hyperobjects, the article posits pandemic conceptualized as a hyperobject as a useful approach to recently published novels on pandemic which has been fabulated in the context of climate change. The
Małgorzata Sugiera
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