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‘Problems, Disputes, Questions’: IASPM UK & Ireland Conference, 12–14 September 2008, Glasgow
Popular Music, 2009Hosted by The University of Glasgow’s Music Department, the biennial IASPM UK & Ireland Conference, entitled ‘Problems, Disputes, Questions’, took place on 12–14 September 2008. The aim was to explore issues that have in recent years concerned and provoked discussion among IASPM members, with the three main themes of the conference being Music and ...
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Popular Music, 2004
IASPM conferences are always enjoyable. There is plenty of enthusiasm for music, as well as much skilful delineation of its form and cultural context. IASPM conferences also have a pretty flat structure and, although there is never enough, a relatively high degree of interaction between people from different countries, ethnicities, disciplines ...
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IASPM conferences are always enjoyable. There is plenty of enthusiasm for music, as well as much skilful delineation of its form and cultural context. IASPM conferences also have a pretty flat structure and, although there is never enough, a relatively high degree of interaction between people from different countries, ethnicities, disciplines ...
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Latin American Music Review, 2001
Au cours du Troisieme Congres latino-americain de l'Association Internationale pour l'Etude de la Musique Populaire, qui s'est distingue par la preponderance accordee aux etudes musicales, par rapport aux sciences musicales, la reflexion s'est concentree sur l'etat actuel du champ de la musique populaire, dans ses divers aspects, au croisement de la ...
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Au cours du Troisieme Congres latino-americain de l'Association Internationale pour l'Etude de la Musique Populaire, qui s'est distingue par la preponderance accordee aux etudes musicales, par rapport aux sciences musicales, la reflexion s'est concentree sur l'etat actuel du champ de la musique populaire, dans ses divers aspects, au croisement de la ...
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Bill Drummond’s ‘The 17’ project at IASPM Glasgow: some feedback on the experience and what happened
Popular Music, 2009Those of us who found we were sitting on or next to an empty cinema type numbered seat with black gaffer tape covering its number gathered at the front of the room and then, after a ten-minute break, entered into a windowless studio where two rows of seats were arranged in a semi-circle.
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