Results 51 to 60 of about 1,407 (137)

They Do Not All Sound Alike: Sampling Kathleen Cleaver, Assata Shakur, and Angela Davis

open access: yes, 2013
Assata Shakur, Image with quote courtesy of Flickr user Jacob Anikulapo Welcome to week four of our February Forum on "Sonic Borders," a collaboration with the IASPM-US blog in connection with this year's IASPM-US conference on Liminality and Borderlands,
Tara
core   +2 more sources

Vocal pop pleasures. Theoretical, analytical and empirical approaches to voice and singing in popular music

open access: yesIASPM Journal, 2010
Voices and vocal expression play a crucial role in popular music. Voices are linked immediately to the human body and various affective states. But vocal expression could be conventionalized and conventionalized and manipulated deliberately by the ...
Martin Pfleiderer
doaj   +1 more source

I Like the Way You Rhyme, Boy: Hip Hop Sensibility and Racial Trauma in Django Unchained

open access: yes, 2013
Welcome to week two of our February Forum on "Sonic Borders," a collaboration with the IASPM-US blog in connection with this year's IASPM-US conference on Liminality and Borderlands, held in Austin, Texas from February 28 to March 3, 2013.
Regina N. Bradley
core   +2 more sources

Prix « premières recherches » de l’« International Association for the Study of Popular Music » (IASPM)

open access: yesCalenda, 2021
Créé en 2010, le prix « premières recherches » de la branche francophone d’Europe de l’International Association for the Study of Popular Music (IASPM) distingue un article inédit, de type universitaire, rédigé en français et portant sur l’étude des musiques populaires. Il s’adresse aux étudiants inscrits dans un cursus de master ou de doctorat, quelle
openaire   +1 more source

Contemporary post-Soviet popular music : Politics and aesthetics

open access: yes
Popular music is produced, listened to and distributed all over the world. While there is no doubt that popular music studies, as well as popular music histories and the commercial popular music industry is predominantly Anglophone, popular music is not.
Werner, Ann
core   +1 more source

Between local issues and global challenges: the state of recording studios in Liège (Belgium)

open access: yes
Au travers du cas des studios de la ville de Liège (Belgique), je rends compte du contexte dans lequel évoluent ces studios afin de comprendre la place qu’ils occupent au sein du paysage musical liégeois.
Violle, Chloé
core   +1 more source

Lesbian Dissonance, Music Cultures and Mainstreams

open access: yes, 2009
Many same sex attracted people not only position themselves outside heteronormative culture but have, in recent times, become anathema to the mainstreaming of lesbian and gay culture.
Taylor, Jodie
core  

REVIEW | Vinyl: The Analogue Record in the Digital Age [PDF]

open access: yesIASPM Journal, 2016
Nabeel Zuberi
doaj   +1 more source

IASPM-US 2011 Report <br>http://dx.doi.org/10.5429/2079-3871(2011)v2i1-2.9en

open access: yesIASPM Journal, 2012
Branch report concerning IASPM-US's recent activities.
openaire   +1 more source

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