Results 41 to 50 of about 1,407 (137)

The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-1969 [PDF]

open access: yesIASPM Journal, 2016
While live performance and rock authenticity are topics widely investigated across popular music studies, cultural studies, and performance studies, the particular media practices that constitute liveness in rock music have been treated without rigorous ...
Landon Palmer
doaj   +1 more source

Discourse on Practice of a Semi-Professional Jazz Guitarist: A Case Study of Constructive Musical Learning [PDF]

open access: yesIASPM Journal, 2015
This research presents a case study of a jazz guitarist, apprentice of high level of practice with a constructivist approach to learning. The case study draws evidence from a multiple case study and it has been selected by its relevance on what it can ...
Amalia Casas-Mas   +2 more
doaj  

The Introduction of Popular Music Studies to Ghanaian Universities

open access: yesIASPM Journal, 2011
Although the teaching if of African traditional and art music in Ghanaian universities began from independence in 1957, the introduction of local popular music has taken much longer, partly a consequence of imported high-art notion that treated popular ...
John Collins
doaj   +1 more source

Release Waiver in English and French

open access: yes, 2013
Release waiver used to gain permission for McMaster University's use of materials from the Music and Labour/Musique et travail - IASPM-Canada 2013 ...
Music and Labour 2013, IASPM-Canada
core   +1 more source

Producing Music, Producing Myth? Creativity in Recording Studios [PDF]

open access: yesIASPM Journal, 2016
This paper presents research on the power of myth (Barthes 1972) and commonly accepted beliefs, or “doxa” (Bourdieu 1977), in shaping creative practices inside recording studios.
Paul Thompson
doaj   +1 more source

A Final Guiding Hand: A Practice-Based Study into the Evolving Role of Third Party Mixers [PDF]

open access: yesIASPM Journal, 2017
As a mixing professional, I have noticed that the role of the third-party mixer is evolving. There is often the opportunity for the mixer to have a strong influence on the song’s production.
Brendan Anthony
doaj   +1 more source

Prix « premières recherches » de l’« International Association for the Study of Popular Music » (IASPM) International Association for the Study of Popular Music (IASPM) first research prize

open access: yes, 2021
Créé en 2010, le prix « premières recherches » de la branche francophone d’Europe de l’International Association for the Study of Popular Music (IASPM) distingue un article inédit, de type universitaire, rédigé en français et portant sur l’étude des ...

core  

Music and Labour/Musique et travail - IASPM-Canada Conference Photos

open access: yes, 2013
Photos of the Music and Labour/Musique et travail - IASPM-Canada Conference 2013, taken by Owen ...
Chapman, Owen, Fast, Susan
core   +1 more source

`Guardate qui, mucchio di casinari da cantina': Bob Dylan al lavoro sottoterra

open access: yesIASPM Journal, 2010
I Basement Tapes di Bob Dylan si situano in um periodo cruciale della carriera del cantante, durante is suo passaggio da uma produzione basata sui modelli del folk-revival al suono elettrico delle performance e dei dischi del 1965. In questo articolo uma
Alessandro Bratus
doaj   +1 more source

Kill'em with music : Livro de Abstracts = Book of Abstracts / IASPM-Portugal

open access: yes, 2022
A música reflete o tempo, mas também os espaços e os indivíduos que nele se inscrevem. Desde a pandemia causada pela COVID-19 às guerras e tensões que emergem na contemporaneidade, as culturas juvenis têm sido cada vez mais enaltecidas como sendo tendo a

core   +1 more source

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