Results 21 to 30 of about 292 (102)

“A Musician Who Puts on a Gig”: Local Promoter’s Multiple Roles and Hierarchies at a Small British Jazz Club

open access: yesIASPM Journal, 2015
The growing body of research on live music events and the industry around it has paid little attention to the lived experience of the local promoters, their work and the negotiations that take place within small venues.
Elina Hytönen-Ng
doaj   +1 more source

The Introduction of Popular Music Studies to Ghanaian Universities

open access: yesIASPM Journal, 2011
Although the teaching if of African traditional and art music in Ghanaian universities began from independence in 1957, the introduction of local popular music has taken much longer, partly a consequence of imported high-art notion that treated popular ...
John Collins
doaj   +1 more source

A Digital Recording Consciousness: Analysing, Mixing and Evaluating Audio in the Mashup Community [PDF]

open access: yesIASPM Journal, 2016
This article investigates a specific musical sensibility that plays a role within the mashup community and makes it possible for participants to re-use and recombine recorded songs in new and imaginative ways. Inspired by the work of H.
Maarten Michielse
doaj   +1 more source

Live to Tell: Remediating Historical Performance in the Popular Music Biopic [PDF]

open access: yesIASPM Journal, 2017
This article explores some of the procedures through which popular music biopics remediate, reactivate, authenticate and in some cases newly create the aura of key performances in the history of popular music.
Maurizio Corbella
doaj   +1 more source

The Popularization of Gugak: A Case Study of the MIJI Project, a Gugak Girl Group

open access: yesIASPM Journal, 2015
As an aspect of cultural policy, the Korean government has made efforts to popularize Korean traditional music, gugak (“national music”). One way of doing so has been to offer financial support for gugak groups.
Inhwa So
doaj   +1 more source

REVIEW | Vinyl Freak: Love Letters to a Dying Medium [PDF]

open access: yesIASPM Journal, 2018
John Corbett Durham: Duke University Press, 2017 ISBN: 9780822363668 (PB)
Nabeel Zuberi
doaj   +1 more source

Teaching of music, and our own realities

open access: yesPensamiento Palabra y Obra, 2012
Un intento de responder interrogantes básicas acerca del papel y los objetivos de la enseñanza de la música en la realidad sociocultural latinoamericana, recorriendo aspectos relacionados con los valores humanos, la responsabilidad de los docentes, el ...
Coriún Aharonián
doaj  

Activism, Authority, and Aesthetics: Finding the Popular in Academies of Música Popular [PDF]

open access: yesIASPM Journal, 2015
Música popular in Spanish comprises an overlapping but distinct category from its English language cognate popular music. Latin American scholars and musicians alike recognize the category as fundamentally linked to subaltern or counterhegemonic ...
Michael S. O’Brien
doaj   +1 more source

Discourse on Practice of a Semi-Professional Jazz Guitarist: A Case Study of Constructive Musical Learning [PDF]

open access: yesIASPM Journal, 2015
This research presents a case study of a jazz guitarist, apprentice of high level of practice with a constructivist approach to learning. The case study draws evidence from a multiple case study and it has been selected by its relevance on what it can ...
Amalia Casas-Mas   +2 more
doaj  

Covering Performers, Discovering Femininities: US Hip-Hop Journalism and Female Artists [PDF]

open access: yesIASPM Journal, 2014
This article examines female performative identities as portrayed in the hip-hop press. The research approach is based on discourse analysis of selected texts in US hip-hop magazines, as well as of qualitative interviews with their main editors.
Barbara Panuzzo
doaj   +1 more source

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