Results 11 to 20 of about 995 (147)
Caught on the Back Foot: epistemic inertia and visible music [PDF]
IASPM Journal, 2011 This paper explores the position of popular music studies thirty years since the formation of the International Association for the Study of Popular Music. Founder member of the association, Phillip Tagg, discusses what issues need to be addressed in the
Philip Tagg
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IASPM Journal, 2011 Branch report concerning IASPM-US's recent activities.
Rebekah Farrugia
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Situating Popular Musics: IASPM 16th International Conference Proceedings
IASPM Proceedings, 2012 Proceedings of the 16th International Conference of the International Association for the Study of Popular Music, held at Rhodes University, Grahamstown, 27th June – 1st July ...
Nardi, Carlo +3 more
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Prix Jeune Chercheur IASPM – branche francophone d’Europe
Les carnets de SFERE-Provence, 2019 Présentation Créé en 2010, le prix Jeune Chercheur de la branche francophone d’Europe de l’International Association for the Study of Popular Music (IASPM) distingue un article scientifique inédit, de type universitaire, rédigé en français et portant ...
SFERE A Scher
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‘Problems, Disputes, Questions’: IASPM UK & Ireland Conference, 12–14 September 2008, Glasgow
Popular Music, 2009 Hosted by The University of Glasgow’s Music Department, the biennial IASPM UK & Ireland Conference, entitled ‘Problems, Disputes, Questions’, took place on 12–14 September 2008. The aim was to explore issues that have in recent years concerned and provoked discussion among IASPM members, with the three main themes of the conference being Music and ...
Emma Webster
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REVIEW | Music as Multimodal Discourse: Semiotics, Power and Protest [PDF]
IASPM Journal, 2017 Lyndon C. S. Way & Simon McKerrell Eds. London: Bloomsbury, 2017 ISBN: 9781474264425 (HB)
John Conrad Mullen
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Ecomusicology, Music Studies, and the IASPM: Beyond “Epistemic Inertia” [PDF]
IASPM@Journal, 2013 Ecomusicologists have answered Philip Tagg’s call to develop a more interdisciplinary and interprofessional “music studies.” Ecomusicologists are demonstrating an exceptional openness to theories and methodologies generated from outside their home disciplines.
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Resonancias, 2014 Insofar as the percussive and dance genre, characteristic of the Afro-descendent population, the candombe, in its diferent variations, is part of what Paul Gilroy has defined as Atlántico Negro.
Viviana Parody
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Darüber hinaus… Populäre Musik und Überschreitung(en) -- 2. IASPM D-A-CH Konferenz, Graz 2016 [PDF]
, 2018 Im Herbst 2016 trafen sich etwa siebzig Popmusikforscher*innen an der Karl-Franzens-Universität im österreichischen Graz. Das Thema der zweiten Konferenz des deutschsprachigen Zweiges der International Association for the Study of Popular Music (IASPM D-A-CH) lautete Darüber hinaus … Populäre Musik und Überschreitung(en).
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Producing Music, Producing Myth? Creativity in Recording Studios [PDF]
IASPM Journal, 2016 This paper presents research on the power of myth (Barthes 1972) and commonly accepted beliefs, or “doxa” (Bourdieu 1977), in shaping creative practices inside recording studios.
Paul Thompson
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