Results 11 to 20 of about 292 (102)

Popular Music Studies in Japan: Reviewing the Journal Popular Music Studies [PDF]

open access: yesIASPM Journal, 2019
The scholarly interest in popular music has been growing in Japan for the last thirty years since the beginning of the Japanese Association for the Study of Popular Music (JASPM).
Akitsugu Kawamoto
doaj   +1 more source

The Portable Recording Studio: Documentary Filmmaking and Live Album Recording, 1967-1969 [PDF]

open access: yesIASPM Journal, 2016
While live performance and rock authenticity are topics widely investigated across popular music studies, cultural studies, and performance studies, the particular media practices that constitute liveness in rock music have been treated without rigorous ...
Landon Palmer
doaj   +1 more source

REVIEW | Music as Multimodal Discourse: Semiotics, Power and Protest [PDF]

open access: yesIASPM Journal, 2017
Lyndon C. S. Way & Simon McKerrell Eds. London: Bloomsbury, 2017 ISBN: 9781474264425 (HB)
John Conrad Mullen
doaj   +1 more source

Música, política y etnicidad: convergencias entre democracia y dictadura en el proceso de relocalización del candombe afrouruguayo en Buenos Aires (1973-2013)

open access: yesResonancias, 2014
Insofar as the percussive and dance genre, characteristic of the Afro-descendent population, the candombe, in its diferent variations, is part of what Paul Gilroy has defined as Atlántico Negro.
Viviana Parody
doaj   +1 more source

Producing Music, Producing Myth? Creativity in Recording Studios [PDF]

open access: yesIASPM Journal, 2016
This paper presents research on the power of myth (Barthes 1972) and commonly accepted beliefs, or “doxa” (Bourdieu 1977), in shaping creative practices inside recording studios.
Paul Thompson
doaj   +1 more source

German-language Popular Music Studies in Germany, Austria and Switzerland

open access: yesIASPM Journal, 2011
Following the foundation of IASPM in 1981, the German ASPM (Arbeitskreis Studium Populäre Musik e.V.) was established in 1984. Although there is a free dialogue with IASPM, the organizations operate independently.
Martin Pfleiderer
doaj   +1 more source

Art to Commerce: The Trajectory of Popular Music Criticism [PDF]

open access: yesIASPM Journal, 2014
This article reports the results of a content and textual analysis of popular music criticism from the 1960s to the 2000s to discern the extent to which criticism has shifted focus from matters of music to matters of business.
Thomas Conner, Steve Jones
doaj   +1 more source

Fandom, Music and Personal Relationships through Media: How Teenagers Use Social Networks [PDF]

open access: yesIASPM Journal, 2016
This paper analyses the practices and products of the One Direction fan community, focusing on the interaction of adolescent girls with certain types of texts present on social networks.
Pilar Lacasa   +2 more
doaj   +1 more source

Presage: What Knowledge and Experience Higher Education Songwriting Students Bring to the Classroom [PDF]

open access: yesIASPM Journal, 2015
This study analyses the responses of seventy-six students from three Australian higher education institutions in New South Wales entering the songwriting classroom for the first time. While it was assumed that most students had previously composed songs,
Diana Blom, Kim Poole
doaj   +1 more source

IASPM Hungary: Developments and new directions in popular music research [PDF]

open access: yesIASPM Journal, 2020
Amidst political and economic changes shaping both the field of popular music and popular music studies in Hungary, including changes in the financing and institutional framework of academic research, as well as a growing intensity in the state funding of popular music – which, at the same time, has contributed to the creation of a system of dependency
openaire   +1 more source

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