Results 1 to 10 of about 1,407 (137)
Caught on the Back Foot: epistemic inertia and visible music [PDF]
IASPM Journal, 2011 This paper explores the position of popular music studies thirty years since the formation of the International Association for the Study of Popular Music. Founder member of the association, Phillip Tagg, discusses what issues need to be addressed in the
Philip Tagg
doaj +9 more sources
IASPM Journal, 2011 Branch report concerning IASPM-US's recent activities.
Rebekah Farrugia
doaj +3 more sources
Air Flows: Breath, Voice, and Authenticity in Three Recordings [PDF]
IASPM Journal, 2016 Miley Cyrus inhales audibly before launching into the final chorus of “Wrecking Ball”. Cellist David Soyer grunts as he tears through the Beethoven’s Grosse Fuge.
Gregory Weinstein
doaj +1 more source
Resonancias, 2014 Insofar as the percussive and dance genre, characteristic of the Afro-descendent population, the candombe, in its diferent variations, is part of what Paul Gilroy has defined as Atlántico Negro.
Viviana Parody
doaj +1 more source
Practical Idealism: Live Music Associations and the Revitalization of the Music Festival Scene [PDF]
IASPM Journal, 2019 In the seventies live music associations were established across Finland. They challenged the prevailing practices of event production and became major players in the live music business.
Heikki Uimonen
doaj +1 more source
REVIEW | Vinyl Freak: Love Letters to a Dying Medium [PDF]
IASPM Journal, 2018 John Corbett Durham: Duke University Press, 2017 ISBN: 9780822363668 (PB)
Nabeel Zuberi
doaj +1 more source
German-language Popular Music Studies in Germany, Austria and Switzerland
IASPM Journal, 2011 Following the foundation of IASPM in 1981, the German ASPM (Arbeitskreis Studium Populäre Musik e.V.) was established in 1984. Although there is a free dialogue with IASPM, the organizations operate independently.
Martin Pfleiderer
doaj +1 more source
Spatio-temporal suspension and imagery in popular music recordings [PDF]
IASPM Journal, 2017 Constructed spatiality and perceived imagery in popular music recordings has been in evidence since the 1930s as “a fundamentally pictorial tradition (…) reverb and echo effects deployed in combination with certain lyrics to render aural vistas” (Doyle ...
Peter Gavin Long
doaj +1 more source
Transmedia Festivals and the Accelerated Cultural Sector [PDF]
IASPM Journal, 2019 Over the past couple of decades, urban transmedia festivals have gained a distinct presence in the European cultural landscape, constituting an alternative to other, more dominant, conceptions of music festivals.
Bianca Kristina Ludewig
doaj +1 more source
A Digital Recording Consciousness: Analysing, Mixing and Evaluating Audio in the Mashup Community [PDF]
IASPM Journal, 2016 This article investigates a specific musical sensibility that plays a role within the mashup community and makes it possible for participants to re-use and recombine recorded songs in new and imaginative ways. Inspired by the work of H.
Maarten Michielse
doaj +1 more source