Results 141 to 150 of about 7,243 (190)
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ACM Transactions on Graphics, 1990
Background: Direct manipulation interfaces, such as the Macintosh desktop, often represent objects with icons [l, 41. For example, text files are represented by icons. Selection of the icon invokes an editor to view the file it represents, thus the icon not only represents the text file but also represents a text editor used to view the text file. Each
Tyson R. Henry, Scott E. Hudson
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Background: Direct manipulation interfaces, such as the Macintosh desktop, often represent objects with icons [l, 41. For example, text files are represented by icons. Selection of the icon invokes an editor to view the file it represents, thus the icon not only represents the text file but also represents a text editor used to view the text file. Each
Tyson R. Henry, Scott E. Hudson
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The Degraded Iconicity of the Icon. The Icon’s Materiality and Mechanical Reproduction
IKON, 2016The Degraded Iconicity of the Icon addresses the challenges facing the traditional doctrine of the icon in a society subsumed by a profane attitude towards the image, and the problems raised by the use of icon reproductions within the liturgical context of the Eastern Orthodox Church.
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2021
Il libro Gioielli Italiani ha l'obiettivo di restituire la complessità del gioiello attraverso molteplici punti di vista, dove l'antico dialoga con il contemporaneo e i capolavori del passato affiancano quelli realizzati con le tecnologie del futuro.
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Il libro Gioielli Italiani ha l'obiettivo di restituire la complessità del gioiello attraverso molteplici punti di vista, dove l'antico dialoga con il contemporaneo e i capolavori del passato affiancano quelli realizzati con le tecnologie del futuro.
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2021
The opening sequence of Stanley Kubrick’s science fiction masterpiece 2001: A Space Odyssey is set in a desolate arid region millions of years ago, where a group of hominids is first seen munching on bushes and meager green plants amid a herd of tapirs. After being driven away from their water hole by a rival tribe, the defeated apes huddle together in
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The opening sequence of Stanley Kubrick’s science fiction masterpiece 2001: A Space Odyssey is set in a desolate arid region millions of years ago, where a group of hominids is first seen munching on bushes and meager green plants amid a herd of tapirs. After being driven away from their water hole by a rival tribe, the defeated apes huddle together in
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Proceedings 1993 IEEE Symposium on Visual Languages, 2002
This paper discusses the design of icons as tools for improving visual interface usability. No common accepted definition of 'usability' exists: hence we operationally define it in terms of a number of operator's goals. We next derive the constraints and requirements necessary for achieving such usability, including both the designer and the user's ...
Stefano Levialdi +3 more
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This paper discusses the design of icons as tools for improving visual interface usability. No common accepted definition of 'usability' exists: hence we operationally define it in terms of a number of operator's goals. We next derive the constraints and requirements necessary for achieving such usability, including both the designer and the user's ...
Stefano Levialdi +3 more
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Nature Nanotechnology, 2010
Nanoscale objects cannot be seen in the traditional sense, but that should not stop us from thinking about how we visualize the nanoworld, as Chris Toumey reports.
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Nanoscale objects cannot be seen in the traditional sense, but that should not stop us from thinking about how we visualize the nanoworld, as Chris Toumey reports.
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, 2008 The iPod became, for a moment at least, iconic amongst those hand-held electronic devices with buttons and screens, noises and "connectivity" that proliferated at the beginning of the twenty-first century. This essay explores how the iPod, in becoming an unobtrusive memory machine as absent as an internal organ on the body of its user, provides a ...
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Icons: the making, meaning and undoing of urban icons and iconic cities†
Planning Perspectives, 2016This is a conference report on the 13th Australasian Urban History/Planning History Conference.
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Natural Language Semantics, 2014
Sign languages are known to display the same general grammatical properties as spoken languages (‘Universal Grammar’), but also to make greater use of iconic mechanisms. In Schlenker et al.’s ‘Iconic Variables’ (Linguist Philos 36(2):91–149, 2013), it was argued that loci (= positions in signing space corresponding to discourse referents) can have an ...
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Sign languages are known to display the same general grammatical properties as spoken languages (‘Universal Grammar’), but also to make greater use of iconic mechanisms. In Schlenker et al.’s ‘Iconic Variables’ (Linguist Philos 36(2):91–149, 2013), it was argued that loci (= positions in signing space corresponding to discourse referents) can have an ...
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Philosophical Transactions of the Royal Society of London. B, Biological Sciences, 1983
Abstract Investigations of the processing of brief visual displays, and the explanation of such processing in terms of iconic memory, are reviewed. It is concluded that the concept of a pre-categorical sensory memory for visual material remains tenable.
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Abstract Investigations of the processing of brief visual displays, and the explanation of such processing in terms of iconic memory, are reviewed. It is concluded that the concept of a pre-categorical sensory memory for visual material remains tenable.
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