Results 101 to 110 of about 18,848 (257)

Wei Yuan and the Chinese Totalistic Iconoclasm: The Demise of Confucianism in Matter and in Form [PDF]

open access: yes, 2011
This paper attempts to explore the historical origins of the “totalistic iconoclasm” that was characteristic of Chinese intellectual history in the twentieth century.
Ren, Chao
core   +1 more source

From Louis to the "Carnival of the dead mongts": western art in search of meaning, or how painters thrown between the cross and bones / От Людовика до «Карнавала мертвых дворняг»: западное искусство в поисках смысла, или как живописцы метались между крестом и костями

open access: yesИндустрии впечатлений: Технологии социокультурных исследований
In today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко   +1 more
doaj   +1 more source

Utopian clothing: the futurist and constructivist overalls in the early 1920s’ [PDF]

open access: yes, 2014
‘Can fashion start from zero?’ is a question that, as observed by theorists, historians and curators, ultimately haunts those radical sartorial projects embodying a ‘new’ vision of the world.
Loscialpo, Flavia
core   +1 more source

Culture, heritage looting, and tourism: A text mining review approach. [PDF]

open access: yesFront Psychol, 2022
Loureiro SMC   +4 more
europepmc   +1 more source

Ancestral Connections: Re-Evaluating Concepts of Superimpositioning and Vandalism in Rock Art Studies

open access: yesOpen Archaeology
The aim of this article is to comprehend the significance of superimpositions as social practices and processes and to deconstruct how notions of superimpositions and vandalism have been used in rock art studies.
Motta Ana Paula, Hampson Jamie
doaj   +1 more source

Aristotle and Byzantine Iconoclasm

open access: yesGreek, Roman, and Byzantine Studies, 2013
The defense of icons shifted gradually from a theory of mimesis to Aristotelian symbolism; this reflected not a revival of learning but arguments developed in the debate itself and hinted at already by Constantine V and at the Council of 787.
Thalia Anagnostopoulos
doaj  

‘A dialogue about the art of portraiture’ Originally published as ‘Gespräch von der Bildniskunst’, Österreichische Rundschau, Volume 6, 1906, 502—516, and republished: Julius Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard 1927, 227—247. Translated with an introduction by Karl Johns [PDF]

open access: yesJournal of Art Historiography, 2011
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he takes for granted in any reader approaching his favourite ‘thorny’ questions from aesthetics and history.
Julius Schlosser
doaj  

Iconoclasm in political and legal model of Bysantium empire [PDF]

open access: yes
Розглянуто вплив іконоборcтва на політико-правову модель Візантійської імперії. З’ясовано обставини уваги держави до іконоборства, зумовлені суперечностями між управлінсько-регулятивною діяльністю держави та інтересами церковної ієрархії.
Omelchuk, V., Омельчук, В. В
core   +1 more source

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