Results 31 to 40 of about 4,091 (188)
In 1676 Dame Mary May commissioned her tomb from John Bushnell, a famous Restoration sculptor, and placed it next to her pew in the chancel of St Nicholas' parish church, Mid-Lavant, West Sussex, where she worshipped until her death in 1681.
Jude Jones, Nicole Smith
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Synthesis of the Theological Doctrine of the Icon in the Works of St. John of Damascus
The theoretical legacy of John of Damascus still attracts the attention of researchers, as his works had a significant impact not only on the development of the theological discourse of the Eastern and Western Churches, but also on the further ...
Viktoria Golovei
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Iconoclasm, monuments, art : Stacy Boldrick interviewed by Lily Jean
Stacy Boldrick is a Lecturer in Art Museum and Gallery Studies at the University of Leicester, where she conducts research in iconoclasm and its significance for social groups and institutions.
Jean, Lily, Lily Jean
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Iconoclasm and later prehistory
Iconoclasm, or the destruction of images and other symbols, is a subject that has significant resonance today. Traditionally focusing on examples such as those from late Antiquity, Byzantium, the Protestant Reformation and the French Revolution ...
Henry Chapman, Chapman, Henry; id_orcid
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Iconoclasm in Post-communist Europe: An Exercise in Compromise
Iconoclasm in Post-communist ...
Salomoni, Antonella
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Si hier comme aujourd’hui, l’art islamique classique comme « l’art contemporain islamique » connaissent une fluctuation nominative importante, si hier comme aujourd’hui, « islamique » est employé dans le sens de “civilisation islamique” ; hier comme ...
Monia Abdallah
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Les images abîmées : entre iconoclasme, pratiques religieuses et rituels « magiques »
The contribution focuses on the phenomenon of the manipulated, or even degraded, images in the Alpine regions. In these territories we can find at least three categories of damaged images: the first concerns images damaged and concealed for religious ...
Simona Boscani Leoni
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Cet article étudie quatre des quatre cent soixante chansons réunies sous le titre de Cantigas de Santa Maria par Le roi Alphonse X le sage (1221-1284).
Mateusz Wilk
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When the Byzantine Emperor Justinian inaugurated the Church of Hagia Sophia in 537 AD, mosaic icons did not exist. Instead, Justinian’s program included non-figurative and abstract decorative motifs and lots of crosses. The first appearance of the mosaic
Bilal Baş
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Iconoclasm – A Road to Modernization?
My point of departure is a conflict over images in the churches in Bergen, Norway in the 1560s, around 30 years after the Reformation. This introduced a brief period of iconoclasm in Denmark–Norway, inspired by Reformed theology. Soon, however, mainstream Lutheranism took over and statues and pictures were reintroduced. The different views on images in
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