Results 31 to 40 of about 4,091 (188)

The Strange Case of Dame Mary May's tomb: The performative value of Reflectance Transformation Imaging and its use in deciphering the visual and biographical evidence of a late 17th-century portrait effigy

open access: yesInternet Archaeology, 2017
In 1676 Dame Mary May commissioned her tomb from John Bushnell, a famous Restoration sculptor, and placed it next to her pew in the chancel of St Nicholas' parish church, Mid-Lavant, West Sussex, where she worshipped until her death in 1681.
Jude Jones, Nicole Smith
doaj   +1 more source

Synthesis of the Theological Doctrine of the Icon in the Works of St. John of Damascus

open access: yesВолинський благовісник, 2020
The theoretical legacy of John of Damascus still attracts the attention of researchers, as his works had a significant impact not only on the development of the theological discourse of the Eastern and Western Churches, but also on the further ...
Viktoria Golovei
doaj   +1 more source

Iconoclasm, monuments, art : Stacy Boldrick interviewed by Lily Jean

open access: yes, 2021
Stacy Boldrick is a Lecturer in Art Museum and Gallery Studies at the University of Leicester, where she conducts research in iconoclasm and its significance for social groups and institutions.
Jean, Lily, Lily Jean
core   +1 more source

Iconoclasm and later prehistory

open access: yes, 2018
Iconoclasm, or the destruction of images and other symbols, is a subject that has significant resonance today. Traditionally focusing on examples such as those from late Antiquity, Byzantium, the Protestant Reformation and the French Revolution ...
Henry Chapman, Chapman, Henry; id_orcid
core   +1 more source

Iconoclasm in Post-communist Europe: An Exercise in Compromise

open access: yes, 2021
Iconoclasm in Post-communist ...
Salomoni, Antonella
core   +1 more source

Analyse topique d’une caractérisation artistique. Étude des lieux communs dans l’art contemporain islamique

open access: yesImages Re-Vues, 2005
Si hier comme aujourd’hui, l’art islamique classique comme « l’art contemporain islamique » connaissent une fluctuation nominative importante, si hier comme aujourd’hui, « islamique » est employé dans le sens de “civilisation islamique” ; hier comme ...
Monia Abdallah
doaj   +1 more source

Les images abîmées : entre iconoclasme, pratiques religieuses et rituels « magiques »

open access: yesImages Re-Vues, 2006
The contribution focuses on the phenomenon of the manipulated, or even degraded, images in the Alpine regions. In these territories we can find at least three categories of damaged images: the first concerns images damaged and concealed for religious ...
Simona Boscani Leoni
doaj   +1 more source

Les « attentats » musulmans contre les images et les édifices religieux dans les Cantigas de Santa Maria

open access: yesImages Re-Vues, 2006
Cet article étudie quatre des quatre cent soixante chansons réunies sous le titre de Cantigas de Santa Maria par Le roi Alphonse X le sage (1221-1284).
Mateusz Wilk
doaj   +1 more source

Bizans İkonoklazm Tartışması (726-843) ve Ayasofya: Tasvir İhtilafının Mabedin Tezyinatına Etkisi/yzantine Iconoclastic Controversy (726-843) and the Hagia Sophia: The Impact of the Controversy of Images on the Ornaments of the Church

open access: yesOksident, 2023
When the Byzantine Emperor Justinian inaugurated the Church of Hagia Sophia in 537 AD, mosaic icons did not exist. Instead, Justinian’s program included non-figurative and abstract decorative motifs and lots of crosses. The first appearance of the mosaic
Bilal Baş
doaj   +1 more source

Iconoclasm – A Road to Modernization?

open access: yesEuropean Review, 2022
My point of departure is a conflict over images in the churches in Bergen, Norway in the 1560s, around 30 years after the Reformation. This introduced a brief period of iconoclasm in Denmark–Norway, inspired by Reformed theology. Soon, however, mainstream Lutheranism took over and statues and pictures were reintroduced. The different views on images in
openaire   +3 more sources

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