Results 51 to 60 of about 4,091 (188)

The Gift of Emperor Michael, Papal Textiles with Chrysoclabas and Figurative Art in the Period of Iconoclasm

open access: yesFolia Historica Cracoviensia, 2019
On Christmas of the year 811, Emperor Michael I Rhangabe solemnly crowned his elder son Theophylact in the church of Hagia Sophia. On this occasion, he offered to the cathedral numerous precious gifts, among which was a set of four curtains embroidered ...
Piotr Grotowski
doaj   +1 more source

Образ города в мозаиках базилики Рождества Христова в Вифлееме

open access: yesИскусство Евразии, 2020
Аниконическая иконография церковных соборов в виде архитектурных мотивов, которая представлена в мозаиках базилики Рождества Христова в Вифлееме 1169 г., встречается сравнительно редко.
Этингоф, Ольга Евгеньевна
doaj   +1 more source

Iconoclasm – religious and political motivations for destroying art

open access: yes, 2019
Iconoclasm has existed around the world for thousands of years. This chapter traces the etymology and genealogy of religious iconoclasm, then examines why and how ideological programmes are advanced through destruction of cultural property.
Sam Hardy, Hardy, Samuel Andrew
core   +1 more source

Iconoclasia, performance y la opacidad de la presencia

open access: yesAlteridades, 2017
Iconoclasm, Performanceand The opacITyof presence.In Literature, it has been stated that the notion of per-formance is articulated together with creation of pres-ence.
RODRIGO DÍAZ CRUZ
doaj  

Coinage of Cherson in the first half of the VIII century

open access: yesМатериалы по археологии и истории античного и средневекового Крыма, 2010
The article was written to highlight the "dark age" of Byzantine Taurica history - the era of iconoclasm. Given the fact that the written sources do not contain the necessary information, and archaeological sites are still being studied, we were involved
Mikhail Choref
doaj  

From Louis to the "Carnival of the dead mongts": western art in search of meaning, or how painters thrown between the cross and bones / От Людовика до «Карнавала мертвых дворняг»: западное искусство в поисках смысла, или как живописцы метались между крестом и костями

open access: yesИндустрии впечатлений: Технологии социокультурных исследований
In today's Russian mass consciousness, there is an attitude that contemporary art, primarily Western, embarked on the path of departure from canonical images and structures in relatively recent times – about a hundred years ago.
Alexander Kashchenko / Александр Викторович Кащенко   +1 more
doaj   +1 more source

Iconoclasm the breaking and making of images

open access: yes, 2019
"Iconoclasm--the alteration, destruction, or displacement of icons--is usually considered taboo or profane. But, on occasion, the act of destroying the sacred unintentionally bestows iconic status on the desecrated object.
Stapleton, Rachel F.   +2 more
core  

The Structure of Byzantine and European Iconoclasm

open access: yes, 1977
While Byzantine Iconoclasm has received much attention from scholars, European Iconoclasm, until very recently, has been a surprisingly neglected phenomenon.
Freedberg, David A.
core   +1 more source

The Iconic Word: The Theological and Rhetorical Sources of a New Ut Pictura Poesis

open access: yesSillages Critiques, 2016
This article questions the Renaissance, humanist understanding of the Horatian adage, Ut Pictura Poesis, and endeavors to elucidate the specific ways in which a lyric poem can be considered as an object to be looked at. The early modern poetic production
Anne-Marie Miller-Blaise
doaj   +1 more source

Art, Trent, and Michelangelo’s “Last Judgment”

open access: yesReligions, 2012
Michelangelo’s “Last Judgment” in the Sistine Chapel is one of the world’s most famous paintings, completed in 1542. Greatly admired, it was also criticized for the frontal nudity of some of the figures.
John O'Malley
doaj   +1 more source

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