Results 61 to 70 of about 4,091 (188)
Aristotle and Byzantine Iconoclasm
The defense of icons shifted gradually from a theory of mimesis to Aristotelian symbolism; this reflected not a revival of learning but arguments developed in the debate itself and hinted at already by Constantine V and at the Council of 787.
Thalia Anagnostopoulos
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The aim of this article is to comprehend the significance of superimpositions as social practices and processes and to deconstruct how notions of superimpositions and vandalism have been used in rock art studies.
Motta Ana Paula, Hampson Jamie
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How Love for the Image Cast out Fear of It in Early Christianity
Iconoclastic and iconophilic impulses have long vied for pre-eminence in Christianity, coming to one particularly fraught crisis point in the Byzantine Iconomachy of the eighth and ninth centuries.
Natalie Carnes
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The power of iconic memory : iconoclasm as a mental marker [PDF]
Iconoclasm has a particular effect in that it creates an image that is even more powerful than the image it has destroyed. While many physical images might have disappeared due to the iconoclasm, the mental image of all who witnessed this dramatic moment
Koenraad Jonckheere +1 more
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Part of a roundtable on Julia Kristeva's The Severed Head: Chapters Five and Six of Julia Kristeva’s The Severed ...
Elaine Miller
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‘A dialogue about the art of portraiture’ Originally published as ‘Gespräch von der Bildniskunst’, Österreichische Rundschau, Volume 6, 1906, 502—516, and republished: Julius Schlosser, Präludien Vorträge und Aufsätze, Berlin: Bard 1927, 227—247. Translated with an introduction by Karl Johns [PDF]
In an unusually popular and readable dialogue form, Schlosser alludes to the classical education he takes for granted in any reader approaching his favourite ‘thorny’ questions from aesthetics and history.
Julius Schlosser
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Writing about the ymage in fifteenth-century England [PDF]
Beginning in the late 14th century and continuing through the 15th century, religious reform movements in England made the use of images a matter of fierce dispute.
Marjorie Munsterberg
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Why good work in philosophical bioethics often looks strange. [PDF]
Moen OM.
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Two iconoclasms took place in twentieth-century Russian history: the iconoclasm after the October revolution, and the iconoclasm after the breakdown of the Soviet Union. These two (ideologically opposite) phases of iconoclastic actions (dismantling, destruction) were incited by programmes concerning the abolition of tsarist monuments of 1918 and met by
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