Results 91 to 100 of about 118,415 (246)
ABSTRACT Given generative AI's rapid incursion into higher education, we examined how AI tools are marketed to US college students and how students experience AI promotions. Using a scalable action research model, we collected and analyzed 131 social media ads, 48 student interviews, and field notes compiled by three interns at student‐facing AI ...
Elisa J. Sobo +3 more
wiley +1 more source
CULTURAL FUSION IN LATE BRONZE AGE GOLDWORK: DIADEMS AND MOUTH‐PIECES FROM HALA SULTAN TEKKE, CYPRUS
Summary This study investigates recently discovered gold diadems and mouth‐pieces from seven chamber tombs and one shaft tomb at the Late Bronze Age cemetery of Hala Sultan Tekke, dating from the fifteenth to the thirteenth centuries BC. The chamber tombs, all containing multi‐generational burials, yielded a variety of ornaments, which are analysed in ...
Peter M. Fischer
wiley +1 more source
Ancient Egyptian religious imagery—ranging from Horus and Seth contending for the throne of the kingdom to Anubis in the act of embalming the deceased—is well known from Egyptian temples, tomb walls, and ubiquitous cippi.
Nick West
doaj +1 more source
Visualizing Shakespeare: Iconography and Interpretation in the Works of Salvador Dalí
Although William Shakespeare’s 16th century classical literature is rarely contextualized with the eccentricities of 20th century artist Salvador Dali, Shakespeare’s myriad of works have withstood the test of time and continue to be celebrated and ...
Zbehlik, Emily A.
core
The Tree of Chivalry and the Black Lady: Juana of Castile's 1496 Joyous Entry into Brussels☆
Abstract Kupferstichkabinett MS 78D5 (Staatliche Museen Berlin) presents an iconographic account of the Joyous Entry of Juana of Castile into Brussels on 9 December 1496. In this article, we newly identify a rare visual record of a civic contribution to a tournament within the manuscript.
Nadia T. van Pelt +2 more
wiley +1 more source
Rhythm and Metaphor in the Art of the Icon
Using art history interpretation methods and the methods of historical cultural studies, the author demonstrates the role of rhythm and metaphor as the most expressive artistic means of icon painting. The interaction of rhythm and metaphor is an integral
Gubareva O. V.
doaj +1 more source
Twins in Mesoamerica as a Symbol of Contrasting Duality [PDF]
In cultures across the Mesoamerican subcontinent, there are examples in the archaeological and ethnographic record of myths concerned with twins and sibling pairs (Minneci, 1999).
Rideout, Benjamin
core +2 more sources
What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley +1 more source
The Miroku’s iconography forms the central theme of the present article which introduces the creations of the Buddha of Future that survive today in the temples of ancient capitals.
Y. Kuzhel
doaj
Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
wiley +1 more source

