ENTELECHIES ICON IMAGE A HOLY FOOL
Sovremennye Issledovaniâ Socialʹnyh Problem, 2017 Purpose. The article is devoted to the «entelechy» concepts for the study of the evolution of the iconography of the image of the holy fool in Christ. The relevance of the study of the problem is revealed in the undying interest in contemporary political
Olga Anatolevna Tuminskaya
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Iconological Analysis of Buyid Dynasty Ceremonial Coins based on the Theory of Erwin Panofsky [PDF]
نگره, 2022 Arts and crafts are a good context for displaying cultural, historical and social structures in different eras. Coins were produced by order of the rulers of each period and the various visual components contained in them played an effective conceptual ...
Rezvan Ahmadi payam, Abolghasem Dadvar
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Cultural Interactions and Religious Iconography in 16th Century Kerala: the Mural Paintings of St. Mary’s Church in Angamaly [PDF]
, 2017 St. Mary\u27s Jacobite Syrian Church is an ancient church in Angamaly (Kerala). One account has Syrian Christians arriving in Angamaly in 384 CE and the church being established in 409 CE.
Granziera, Patrizia
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Beyond “Making Poland Great Again.” Nostalgia in Polish Populist and Non‐populist Discourses1
Sociological Forum, Volume 37, Issue S1, Page 1360-1386, December 2022., 2022 Nostalgia can be triggered not only by personal recollections but also by exposure to narratives or images evoking desirable pasts, more or less fictional, and inducing feelings of longing for them. We analyze the institutional and semiotic machinery involved in the cultural construction of nostalgia in Poland and its role in generating sentiments that
Marta Kotwas, Jan Kubik
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The Code of Protest. Images of Peace in the West German Peace Movements, 1945-1990 [PDF]
, 2008 The article examines posters produced by the peace movements in the Federal Republic of Germany during the ColdWar, with an analytical focus on the transformation of the iconography of peace in modernity.
Andreas +76 more
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, 2022 The Journal of Popular Culture, Volume 55, Issue 5, Page 1144-1168, October 2022.
Katriina Heljakka
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Documenta Praehistorica, 2012 Bovine iconography is one of the most important components for understanding social identities among Neolithic Vinča culture communities. It is believed that both wild and domesticated cattle were introduced into Vinča culture symbolic practice as one of
Miloš Spasić
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Wątki misyjne w nowożytnej ikonografii Świętego Franciszka Ksawerego (w wybranych dziełach sztuki)
Annales Missiologici Posnanienses, 2019 The iconography of Saint Francis Xavier abounds in mission themes. It includes literal and allegorical motives. Symbols are present in this iconography, but the narration prevails.
Justyna Sprutta
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On tauroctonies and stars: Mithras and the life of an image [PDF]
MODOS. Revista de Historia da Arte 4:247-263, 2020, 2020 A hero or a god, wearing an oriental garb and a Phrygian cap, presses his body on that of a bull to subdue it. With his flexed knee he presses the back of the animal and holds its head with his left hand, while with his right hand he stabs a dagger into the neck of the beast. Referring to this representation of the sacrifice of the bull, or tauroctony,
arxiv +1 more source
First record of Lepanthes appendiculata Ames (Orchidaceae: Pleurothallidinae) from Nicaragua, with comments on the morphological variation, geographical distribution, and conservation status [PDF]
Check List, 2016 Lepanthes appendiculata Ames, a new record for the orchid flora of Nicaragua is presented, with comments on its geographical distribution, floral variations, and analysis of conservation status following IUCN criteria.
Norman Cash-Arcia +4 more
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