Results 61 to 70 of about 5,550 (206)

ICONOGRAPHIES OF GLOBALISATION

European Journal of Geography, 2017
In this paper we assume that there are two ways towards globalisation: one through a regional clustering of states projecting their integration process so as to gradually absorb the neighbouring ones, and another through a multi-centered development acting at the same time on the global arena.
openaire   +3 more sources

Becoming Dostoevsky (how Rowan Williams opens up Bakhtin)

Modern Theology, EarlyView.
Abstract With the end of Communism in Russia, non‐materialist contexts were enthusiastically restored to Mikhail Bakhtin's globally famous ideas of carnival, dialogism, and polyphony. This essay surveys Rowan Williams's 2008 study Dostoevsky: Language, Faith + Fiction as a major contribution to this effort, concentrating on those general philosophical ...
Caryl Emerson
wiley   +1 more source

The (trans)national Russian religious imagination in exile: Iulia de Beausobre (1893‐1977)

Modern Theology, EarlyView.
Abstract The article offers a case study of how Russian Orthodox who migrated from the Soviet Union after the Bolshevik Revolution of 1917 reimagined their religious identity and their church in a transnational setting. Iulia de Beausobre (1893‐1977) was a Russian aristocrat who fell victim to the Stalinist purges but survived the Soviet prison system ...
Ruth Coates
wiley   +1 more source

Nationalist–Feminine Bifurcation: The Construction of National Morality Through Gender Regimes

Nations and Nationalism, EarlyView.
ABSTRACT This article introduces the concept of nationalist–feminine bifurcation to analyse how nationalist–populist regimes construct moral orders through gendered representations. It explores how women are simultaneously portrayed as the idealized ‘national woman’ and the excluded ‘moral threat’. Through a comparative discourse analysis of four cases—
Muhammed Ramazan Demirci
wiley   +1 more source

The Iconography of Dr. B. R. Ambedkar: The Symbolic Means in Visual and Design Culture [PDF]

International Journal of Arts Architecture & Design
The Iconography of Dr. Bhimrao Ramji Ambedkar (1891–1956) is a subject of significant scholarly interest, delving into various aspects of his life, work, and influence. Ambedkar’s impact on society, particularly formerly untouchable communities, has been
Arun Mascarenhas
doaj   +1 more source

What Does Intarsia Say? Materiality and Spirituality in the Urbino Studiolo☆

Renaissance Studies, EarlyView.
Abstract Upon entering the Urbino studiolo of Federico da Montefeltro, the visitor is struck by a material‐charged environment. Surprisingly, only a few scholars have addressed one prominent aspect of the decorative scheme, namely, the feature of intarsia as a medium. Even so, it remains on the sidelines of the discussion.
Matan Aviel
wiley   +1 more source

‘Who is the Gael who Would Not Weep?’: The Book of the O’Conor Don, Fearghal Óg Mac an Bhaird, and Late Bardic Poetry of Exile

Renaissance Studies, EarlyView.
Abstract This article examines how late bardic poetry transforms the condition of exile into a literary mode that reimagines community and tradition. I argue that poetry of lament, blessing and devotion articulates a broader literary consciousness that anticipates modern notions of a national consciousness. The compilation of bardic verse in manuscript
Daniel T. McClurkin
wiley   +1 more source

Obesity and the Politics of Taddeo di Bartolo's Inferno

Renaissance Studies, EarlyView.
ABSTRACT This paper examines Taddeo di Bartolo's depiction of Hell in the Collegiata di Santa Maria Assunta, the mother church of San Gimignano. In a striking departure from similar scenes of the period, the fresco, painted in the early fifteenth century, emphasizes the obesity of the sinners—suggesting a deliberate visual critique.
Stefania Roccas Gandal
wiley   +1 more source

Mysterious Image of Shiva from Parel: The Iconography of the Hindu Deity of the ‘Seven Notes

Известия Уральского федерального университета. Серия 2: Гуманитарные науки
At the conclusion of the Ancient Age in India (5th–6th AD), the period of active formation of Hindu iconography was characterised by the emergence of complexly composed sculptural images.
Darya Nikolaevna Vorobyeva
doaj   +1 more source

Artifex Ars Cartographica: Collaboration Between Portuguese Painters and Cartographers in the Fifteenth and Sixteenth Centuries

Renaissance Studies, EarlyView.
ABSTRACT During the fifteenth and sixteenth centuries, there was no statutory difference between cartography, drawing and painting. These activities were performed then by craftsmen who were part of a vast group under the umbrella of ‘mechanical arts’ and fell under the ‘artifex’ category. Artifex were experts in any particular art, whether a craftsman,
Vasco Medeiros
wiley   +1 more source