Results 11 to 20 of about 3,106 (179)
Applied Sciences, 2020 During recent years, the synergy of virtual reality (VR) and photogrammetry has become an increasingly prevalent way to visualize, represent, preserve and disseminate cultural heritage objects.
Miloš Obradović +5 more
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A Spatial Iconographic Program of Ukrainian Baroque Iconostasis
Art Research of Ukraine, 2021 The purpose of this article is analysis of the iconographic programs of iconostasis created in the Baroque period in the main church complexes of Ukraine - St. Sophia of Kyiv and Kyiv Pechersk monastery. It found that the iconostasis of the side altars of St.
S. Olianina
semanticscholar +4 more sources
Iconostasis in the Liturgical and Church-Historical Contexts
Observatory of Culture, 2019 The article deals with study and attribution of rare portable iconostases (“movable church”). Their features include the Sovereign tier (with the Royal Doors) absence, the small size, and the four remaining tiers (Deisis, Great Feasts, Prophets, and Patriarchs) painted on one board.
Margarita M. Loyevskaya
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The Iconostasis as an Image of the Garden of Eden [PDF]
The Culturology Ideas, 2019 This paper aims to substantiate the hypothesis that the design of the architectural and decorative organization of iconostases of the second half of the seventeenth — first half of the eighteenth centuries is based on the symbolic concept of the iconostasis as an image of a paradise garden. Methodology.
S. Olianina
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UNIQUE AND LOST MARBLE ICONOSTASIS OF THE PERM SPASO-PREOBRAZHENSKY CATHEDRAL
Вестник Пермского университета. ИсторияThe Spaso-Preobrazhensky Cathedral in Perm, over 200 years old, underwent a complex construction process marked by numerous difficulties and prolonged completion. There were several reconstructions of the cathedral, expansions, and the addition of side chapels. Initially, the cathedral was divided into two churches – a summer church and a winter church.
A. V. Otmachova
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Ukrainian iconostasis: from a functional construction to an architectural frame
National Academy of Managerial Staff of Culture and Arts Herald, 2019 The purpose of the article is to determine the process of transformation of the medieval iconostasis with wall-to-wall horizontal beams as main structural/supporting elements to the new type – iconostasis as an architectural frame – which it becomes on the border of the 16–17th century.
S. Olianina
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FORMATION AND EVOLUTION OF THE ICONOSTASIS
Вестник Восточно-Сибирского государственного института культуры, 2022 T. M. Reshetnikova
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Old Believers’ icons “Image of the Catholic and Apostolic Church”
Российский журнал истории Церкви, 2022 The article discusses 19th century icons “The Image of the Church” known as picturing “a high iconostasis crowned by the Crucifixion with Passion icon row”. These icons are known in Russia since the last quarter of the 18th century.
Elena V. Guvakova
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GOD IS BEAUTIFUL, UGLY, DEAD: NAVID KERMANI, FERIDUN ZAIMOGLU AND (MORE THAN) CHRISTIAN ART
German Life and Letters, Volume 76, Issue 3, Page 410-430, July 2023., 2023 Abstract Navid Kermani's and Feridun Zaimoglu's engagements as Muslims with Christian art reveal the possibilities and limitations of aesthetic experiences of the divine beyond all doctrinal divides. Although Kermani's own research into the aesthetic dimension of Islam highlights the potential for art to offer spiritual insight, his rejection of some ...
Joseph Twist
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Unknown and less known icons from Praskvica monastery: Works by painter Radul, Dimitrije Daskal and Maksim Tujković [PDF]
Zograf, 2012 This paper deals with the attribution of several icons from the treasury of the Praskvica monastery in Paštrovići. The earliest is the icon of Great Deesis, painted in 1680 by the painter Radul, for the iconostasis of the monastery Church of the Holy ...
Živković Miloš
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