Results 21 to 30 of about 3,106 (179)

Notes on the Sanctuary Curtain: Symbolisms and Iconographies in the Greek Church

open access: yesCahiers Balkaniques, 2022
: This article will discuss the different types of textiles used as curtains for the sanctuary door by the Greek Orthodox Church during the Ottoman period.
Nikolaos Vryzidis, Elena Papastavrou
doaj   +1 more source

Iconostasis of the Church of the Assumption of the Blessed Virgin Mary in Nakonechne village - the most complete iconostasis ensemble of the XVI century

open access: yesBulletin of Lviv National Academy of Arts, 2019
The article contains an analysis of the iconostasis of the Assumption of Mary Church located in the vil. Nakonechne (Yavoriv district, Lviv region), which represents the most fully preserved iconostasis ensemble of the XVI century. For the first time, its reconstruction was completed taking into account all saved icons. The article deals with stylistic,
Mariia Helytovych
openaire   +2 more sources

The Deesis row from Piva: A contribution to the study of the iconostasis and icon painting of the monastery of Piva [PDF]

open access: yesZograf, 2014
The paper is devoted to the chronology of the genesis of the iconostasis and the choros of the monastery of Piva and to the attribution of some of their icons.
Vojvodić Dragan, Živković Miloš
doaj   +1 more source

Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros [PDF]

open access: yesZograf, 2023
Τhis paper examines three Byzantine icons from the iconostasis of the church of the Panagia tou Kastrou on Leros/Dodecanese, initially dated to the sixteenth century and attributed to a Cretan workshop.
Kefala Konstantia
doaj   +1 more source

The Counter-Reformation Art Serving the Orthodoxy: The Changes in the Artistic Concept of Ukrainian Iconostasis during the Second Quarter of the 17th Century

open access: yesArtistic Culture Topical Issues, 2023
The paper analyzes the reasons causing the structural and plastic changes of Ukrainian iconostases during the second quarter of the 17th century and eventually resulting in the Ukrainian iconostasis of the Baroque period.
S. Olianina
semanticscholar   +1 more source

RETHINKING TRADITION AND INDIVIDUALISM AS KEY TRAITS OF JACOV ORFELIN’S STYLE - A CASE STUDY ON ICONOSTASIS PAINTING IN THE HISTORICAL BANAT

open access: yesИСХОДИШТА, 2023
Tradition redefined by innovations is the topic our study proposes to investigate as fragments of visual transformations in the episode of Jacov Orfelin iconostasis painting.
Mihaela Gh. Vlăsceanu
semanticscholar   +1 more source

Iconostasis sculpture of the XVIII century churches of the Slobodsky district of the Vyatka province from the collection of the Slobodsky Museum and Exhibition Center

open access: yesКультура и искусство, 2023
The subject of the study is the peculiarities of carving of the iconostasis wooden sculpture of the XVIII century, made by the masters of Veliky Ustyug, as well as local artisans under their influence.
Ekaterina Vasilevna Bykova
semanticscholar   +1 more source

The turbulent history of the iconostasis by Adam Stalony-Dobrzański and icons by Sotyrys Pantopulos for the Orthodox Cathedral of the Nativity of the Most Holy Mother of God in Wrocław and the Orthodox Church of the Nativity of the Virgin Mary in Gródek

open access: yesSacrum et Decorum, 2021
Contemporary Orthodox church art in Poland is an issue that influences many areas of research. Current research focuses both on the work of individual artists, as well as on new formal solutions used by them, and aimed at enriching the Orthodox tradition.
Anna Siemieniec
doaj   +1 more source

Painted medallions from the modern-age coffin-reliquary of the Holy King Stefan of Dečani [PDF]

open access: yesBaština, 2022
The modern-age coffin-reliquary of the Holy King Stefan of Dečani was made at Dečani Monastery in 1849. It is believed to have been made and wood-carved by the woodworker Dimitar Stanišev of Kruševo and painted by the icon-painter Anastas Konstantinović.
Ženarju-Rajović Ivana S.
doaj   +1 more source

ART ANALYSIS OF THE ICONOSTASIS OF THE WLACH CHURCH IN CETINJE ‒ THE WORK OF THE ĐINOVSKI BROTHERS

open access: yesLingua Montenegrina, 2023
The Đinovski painting family represents the last phase of post-Byzantine painting in Montenegro. They are characterized by precise drawing, respect for traditional iconographic schemes, harmonious coloring and realism of characters and scenes.
Jakov Marković
semanticscholar   +1 more source

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