Results 21 to 30 of about 3,106 (179)
Notes on the Sanctuary Curtain: Symbolisms and Iconographies in the Greek Church
: This article will discuss the different types of textiles used as curtains for the sanctuary door by the Greek Orthodox Church during the Ottoman period.
Nikolaos Vryzidis, Elena Papastavrou
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The article contains an analysis of the iconostasis of the Assumption of Mary Church located in the vil. Nakonechne (Yavoriv district, Lviv region), which represents the most fully preserved iconostasis ensemble of the XVI century. For the first time, its reconstruction was completed taking into account all saved icons. The article deals with stylistic,
Mariia Helytovych
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The Deesis row from Piva: A contribution to the study of the iconostasis and icon painting of the monastery of Piva [PDF]
The paper is devoted to the chronology of the genesis of the iconostasis and the choros of the monastery of Piva and to the attribution of some of their icons.
Vojvodić Dragan, Živković Miloš
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Palaiologan renaissance painting in the Latin-occupied Aegean. Three icons from Hospitaller Leros [PDF]
Τhis paper examines three Byzantine icons from the iconostasis of the church of the Panagia tou Kastrou on Leros/Dodecanese, initially dated to the sixteenth century and attributed to a Cretan workshop.
Kefala Konstantia
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The paper analyzes the reasons causing the structural and plastic changes of Ukrainian iconostases during the second quarter of the 17th century and eventually resulting in the Ukrainian iconostasis of the Baroque period.
S. Olianina
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Tradition redefined by innovations is the topic our study proposes to investigate as fragments of visual transformations in the episode of Jacov Orfelin iconostasis painting.
Mihaela Gh. Vlăsceanu
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The subject of the study is the peculiarities of carving of the iconostasis wooden sculpture of the XVIII century, made by the masters of Veliky Ustyug, as well as local artisans under their influence.
Ekaterina Vasilevna Bykova
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Contemporary Orthodox church art in Poland is an issue that influences many areas of research. Current research focuses both on the work of individual artists, as well as on new formal solutions used by them, and aimed at enriching the Orthodox tradition.
Anna Siemieniec
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Painted medallions from the modern-age coffin-reliquary of the Holy King Stefan of Dečani [PDF]
The modern-age coffin-reliquary of the Holy King Stefan of Dečani was made at Dečani Monastery in 1849. It is believed to have been made and wood-carved by the woodworker Dimitar Stanišev of Kruševo and painted by the icon-painter Anastas Konstantinović.
Ženarju-Rajović Ivana S.
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ART ANALYSIS OF THE ICONOSTASIS OF THE WLACH CHURCH IN CETINJE ‒ THE WORK OF THE ĐINOVSKI BROTHERS
The Đinovski painting family represents the last phase of post-Byzantine painting in Montenegro. They are characterized by precise drawing, respect for traditional iconographic schemes, harmonious coloring and realism of characters and scenes.
Jakov Marković
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