Results 171 to 180 of about 21,331 (213)
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Identities of dis/ability and music
British Educational Research Journal, 2012Centring on a small‐scale capability‐based case study of music provision for adults with profound dis/abilities, this paper considers the significance of music and music education in people's lives. It offers a philosophical defence of music's importance in enjoying a truly human life and then, drawing on an overview of the work of dis/abled artists ...
Ridley, Barbara, Watts, Michael
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Mahler: Music, Reception, Identity
Studia Musicologica, 2020Writings on the socio-cultural complexities of Mahler’s identity and his music in context vary in relation to four basic motifs: his Jewishness; his Germanness; the partly Slav environment of his early years; and his relationship to the Austro-Hungar-ian Dual Monarchy. Studies combine these elements, or privilege one above another.
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Popular Music, Race and Identity
2015Race has been central to the discourse of popular music: to its performance, reception and, indeed, to the ways that popular music and its genres have been thought about. This is most obvious in the US where the distinction between ‘black’ and ‘white’ music is generally acknowledged.
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Brazilian Identities and Musical Performances
Diogenes, 2000… our faults do not allow our qualities to show themselves to best effect. That is why, at the moment, Brazilians are a people of intermittent qualities and permanent faults.Mário de Andrade, Essai sur la musique brésilienne, 1928This paper sets out to discuss the use and power of music in representing social identities, concentrating on the more ...
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Music Teacher Identity Development
2019This chapter begins with a philosophical and research-based justification for facilitating teacher identity development in teacher education and music teacher education and then reviews related music teacher identity literature. After offering an overview of methods and theoretical frameworks associated with examining music teacher identity in research,
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Music and Eastern Cuban Identity
2017On the one hand, Cubans from Havana tend to paint themselves as the quintessential representation of Cubanidad (Cubanness) and often enjoy all the visibility, especially from a global perspective. This trend has become even more pronounced since the restoration of diplomatic relations between Cuba and the United States in December 2014.
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Shared digital identity and rich knowledge ties in global 3D printing—A drizzle in the clouds?
Global Strategy Journal, 2021Ricarda B Bouncken, Roman Barwinski
exaly
Music, Popular Culture, Identities
2002Richard YOUNG: Introduction. William ANSELMI: From cantautori to posse: Sociopolitical Discourse, Engagement and Antagonism in the Italian Music Scene from the 60s to the 90s. Daniel F. CHAMBERLAIN: El corrido: Identity, Narrative, and Central Frontiers.
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Popular Music Meanings as an Indicator of Musical Identity
2010The theoretical framework of the paper leans on different definitions of identity and on Robinson’s model of analyzing meanings of popular music (Robinson et al. 1991: 13-24). In the empirical part of the article the authors analyze a number of popular songs lyrics, both local (Croatian) and foreign (mostly American and UK), in order to establish what ...
Matić, Daniela, Dobrota, Snježana
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