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2020
Abstract Chapter 2 proposes a theory of adolescent musical identity based on the experiences of 30 American adolescents, ages 12-18. Musical identity is organized in four developmental periods: (1) active construction, (2) emerging, (3) developing, and (4) focusing.
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Abstract Chapter 2 proposes a theory of adolescent musical identity based on the experiences of 30 American adolescents, ages 12-18. Musical identity is organized in four developmental periods: (1) active construction, (2) emerging, (3) developing, and (4) focusing.
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2013
THROUGHOUT THE HISTORY OF HUMANITY, people have been using music to identify ideas and beliefs, tribes, teams and nations. Music is a natural phenomenon; a unifying love and language with deeper and more emotional meaning than any other, so it must come as no surprise that whenever and wherever a brand seeks to identify itself, music should be at the ...
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THROUGHOUT THE HISTORY OF HUMANITY, people have been using music to identify ideas and beliefs, tribes, teams and nations. Music is a natural phenomenon; a unifying love and language with deeper and more emotional meaning than any other, so it must come as no surprise that whenever and wherever a brand seeks to identify itself, music should be at the ...
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2002
Abstract Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music ...
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Abstract Music is a tremendously powerful channel through which people develop their personal and social identities. Music is used to communicate emotions, thoughts, political statements, social relationships, and physical expressions. But, just as language can mediate the construction and negotiation of developing identities, so music ...
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2008
Book abstract: The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field.
MacDonald, Raymond A.R. +2 more
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Book abstract: The field of Music Psychology has grown dramatically in the past 20 years, to emerge from being just a minor topic to one of mainstream interest within the brain sciences. However, until now, there has been no comprehensive reference text in the field.
MacDonald, Raymond A.R. +2 more
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Mahler: Music, Reception, Identity
Studia Musicologica, 2020Writings on the socio-cultural complexities of Mahler’s identity and his music in context vary in relation to four basic motifs: his Jewishness; his Germanness; the partly Slav environment of his early years; and his relationship to the Austro-Hungar-ian Dual Monarchy. Studies combine these elements, or privilege one above another.
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Young Children’s Musical Identities
2023Abstract This chapter explores the relationships between young children’s musical development and identities in this rapidly changing, diverse, and increasingly globalized world. Children use music in a range of ways right from birth: it plays emotional, cognitive, and social roles in their lives.
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2016
1. Introduction: sport, music, identities 2. 'See, the conquering hero comes! Sound the trumpets, beat the drums': music and sport in England, 1880 - 1939 3. 'Bubbles', 'Abe my boy' and 'the Fowler war cry': singing at the Vetch Field in the 1920s 4. 'All Men Will Become Brothers' ('Alle Menschen werden Bruder'): Ludwig van Beethoven's Ninth Symphony ...
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1. Introduction: sport, music, identities 2. 'See, the conquering hero comes! Sound the trumpets, beat the drums': music and sport in England, 1880 - 1939 3. 'Bubbles', 'Abe my boy' and 'the Fowler war cry': singing at the Vetch Field in the 1920s 4. 'All Men Will Become Brothers' ('Alle Menschen werden Bruder'): Ludwig van Beethoven's Ninth Symphony ...
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Popular Music, Race and Identity
2015Race has been central to the discourse of popular music: to its performance, reception and, indeed, to the ways that popular music and its genres have been thought about. This is most obvious in the US where the distinction between ‘black’ and ‘white’ music is generally acknowledged.
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Postnational Musical Identities
2007Postnational Musical Identities gathers interdisciplinary essays that explore how music audiences and markets are imagined in a globalized scenario, how music reflects and reflects upon new understandings of citizenship beyond the nation-state, and how music works as a site of resistance against globalization.
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Interpreting Music, Interpreting Identity Coda
2009Anglistica AION: An Intersciplinary Journal, V. 13 N.
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