Results 51 to 60 of about 2,611,079 (299)
Performances Compared. Sequential replication of the same music piece on an audiovisual file
In this paper I will address some theories of Roman Ingarden and Walter Benjamin in the light of the new reproductive technologies for streaming music.
Giorgio Armato
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Choral music and identities in Tanzania
In her doctoral research, Lampinen explored the connection between choral repertoiresand identities within church choirs in one Lutheran Diocese in Northern Tanzania. The participantsin this research were a group of choir conductors in this diocese. The concept ofidentities was approached from individual, social, and group aspects as well as religious ...
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Singing our own song: Navigating identity politics through activism in music
This work builds upon considerations of musicking that suggest processes of performing, creating, listening, and producing of music are sites for identity formation and meaning-making activities. In this project, I interviewed 20 activist-musicians about
Juliet Hess
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Musical Expression of Islamic Identity: The Syncretism of Blangikhan Ritual in Lampung
The Blangikhan ritual underscores the significance of dignity within Lampung's culture, where the community is renowned for its hospitality and compassion towards one another. Blangikhan is a celebration and reflects community values, norms, and beliefs.
Citra Aryandari, Delsi Chaniago
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This phenomenological study was structured on Heidegger’s theoretical-philosophical framework, with the objective of unveiling the significances and meanings of the musical identity of patients and relatives under oncological palliative care.
Vladimir Araujo de Silva +2 more
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In August 2013, the Centre for Music and Health published its first anthology in English - ‘Musical Life Stories’. In the Anthology, 17 authors from 6 countries present their research on the influence of music in a lifelong health perspective.
Lars Ole Bonde
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The music media have constructed the identity of groupies as sexual and passive objects, submissive, inauthentic consumers of music. The stereotype, although still present in popular culture, is criticized by both the interested parties and rock artists.
Karolina Karbownik
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Music, Myth and Motherland: Culturally Centered Music & Imagery [PDF]
This study assessed ethnic identity in adults of Indian origin through Culturally Centered Music & Imagery (CCMI), a music-centered, psychotherapeutic technique that emphasizes socio-cultural context, identity and meaning.
Swamy, Sangeeta
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Brand identity generation by using music in advertising Águila, Club Colombia and Pilsen beers
In this paper, we explore whether music as a sensorial marketing tool used by beer brands in Medellin, such as Pilsen, Águila and Club Colombia, produces memory recall and brand identity in people between 25 and 40 years old.
Andrés Felipe Alzate Ortiz +1 more
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Terry Eagleton perfectly stated the most fundamental lesson about identity when he penned the line: ‘Nothing ever happens twice, precisely because it has happened once already.’1 In other words, a second iteration of an event is always different to a first occurrence, and changes in context, temporal or spatial, reconfigure the meanings of objects and ...
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