Results 81 to 90 of about 2,668,084 (354)

The Political Potency of Tibetan Identity in Pop Music and Dunglen [PDF]

, 2018
Since their beginnings in the 1980s, Tibetan pop music and dunglen (lute songs of northeastern Tibet) have shown strong expressions of Tibetan identity. They also represent a flourishing area of Tibetan language cultural production.
Morcom, Anna
core   +1 more source

Modeling and Verification of 1/f Noise Mechanisms in FAPbBr3 Single‐Crystal X‐Ray Detectors

Advanced Electronic Materials, EarlyView.
We demonstratethat surface‐trap‐induced carrier number fluctuations are the dominantmechanism in FAPbBr3 Schottky devices, a conclusion supported by thedistinct defect profiles revealed by Drive‐Level Capacitance Profiling (DLCP). Throughnoise contribution decomposition, it is found that the 1/f noise of thedetector is the key noise source affecting ...
Zhongyu Yang, Qingli Zhang, Yuting Liu, Binbin Liu, Zhiping Zheng, Guangda Niu, Ling Xu   +6 more
wiley   +1 more source

Músicas y proyectos de país durante la dictadura uruguaya (1973 – 1985)

Resonancias, 2014
This paper presents the results of research on the territories of popular music in Uruguay during the dictatorship that the country underwent between 1973 and 1985, addressing the immediately preceding period and some developments of that music to the ...
Marita Fornaro Bordolli
doaj  

Research on the acceptance of Chinese traditional music and student cultural identity differences under Chinese and Western music education models

Acta Psychologica
In the era of globalization and cultural diversification, the collision and integration of Chinese and Western music education models have profoundly influenced students' cultural identity formation.
Yujing Luo, Rui Wang
doaj   +1 more source

Merengue: Dominican Music and Identity

, 1997
Merengue—the quintessential Dominican dance music—has a long and complex history, both on the island and in the large immigrant community in New York City.
Austerlitz, Paul
core  

New music and the ‘evangelical style’ in the Church of England, c.1958-1991 [PDF]

, 2008
This paper examines the role played in perceptions of evangelical identity by the use of popular music styles for worship. It argues that, for a short period in the 1950s and 1960s a long-standing identification of evangelicals with such church music was
Jones, Ian, Webster, Peter
core  

Wine Tourism as a Catalyst for Sustainable Performance: The Mediating Role of Corporate Legitimacy and Green Innovation

Agribusiness, EarlyView.
ABSTRACT This study aims to explore the influence of Wine Tourism (WT) on the Sustainable Performance (SP) of wineries in Spain. It particularly investigates how Corporate Social Legitimacy (CSL) and Green Innovation (GI) may act as intermediary factors in this relationship.
Javier Martínez‐Falcó, Eduardo Sánchez‐García, Bartolomé Marco‐Lajara, Luis A. Millán‐Tudela   +3 more
wiley   +1 more source

A Social-Cognitive Theoretical Framework for Examining Music Teacher Identity.

, 2017
The purpose of the study was to examine a diverse range of research literature to provide a social-cognitive theoretical framework as a foundation for definition of identity construction in the music teacher education program.
E. McClellan
semanticscholar   +1 more source

MY EYES DUE SEE [PDF]

, 2018
My Eyes Due See is a multidimensional examination of the “black experience” in America. The installation is composed of a single-channel video, a music composition that utilizes music samples and live instrumentation, and sculptures made up of car parts ...
Barfield, Johannes J
core   +1 more source

CFI. A Working Hypothesis [PDF]

, 2018
Il saggio propone un'ipotesi di lavoro per verificare il significato di un'opera d'arte, basandosi sul concetto di 'call for interpretation'. La struttura profonda e il ruolo sociale dell'arte è produrre una richiesta di interpretazione, dato il ...
Gigliucci, Roberto
core   +2 more sources