Results 81 to 90 of about 2,959,754 (294)

The Formation of Musical Identity

open access: yesThe European Journal of Social & Behavioural Sciences, 2015
One of the most important cultural changes in the 20th century was the rise of identity as a fundamental value. Therefore, it is also important to know how musicians identify themselves in music. The purpose of the study was to ascertain how students training as music teachers (school music pedagogy and interpretation pedagogy) at Estonian Academy of ...
Kadri Põder, Kristi Kiilu
openaire   +1 more source

Music sociology: Value, technology, and identity

open access: yes, 2022
Music Sociology critically evaluates current approaches to the study of music in sociology and presents a broad overview of how music is positioned and represented in existing sociological scholarship.
Bennett, A, Nowak, R
core   +1 more source

Cross‐disciplinary integration: Information practices and a role for information scholars. An annual review of information science and technology paper

open access: yesJournal of the Association for Information Science and Technology, EarlyView.
Abstract Cross‐disciplinary research is a priority for many academic institutions, with a growing body of scholarship dedicated to studying the central practice of cross‐disciplinarity: integration, or the synthesis of knowledge, information, and data across disciplines and domains.
Ciara Zogheib
wiley   +1 more source

An Investigation into the Use of Irish Traditional Music in Northern Irish Music Therapy Practice

open access: yesVoices
The provision of mental health and therapeutic services is deemed a vital response to the vast traumatisation of the largely bicultural community of Northern Ireland resulting from the “Troubles” conflict.
Madeleine Eves
doaj   +1 more source

Game Music and Identity

open access: yes, 2021
Terry Eagleton perfectly stated the most fundamental lesson about identity when he penned the line: ‘Nothing ever happens twice, precisely because it has happened once already.’1 In other words, a second iteration of an event is always different to a first occurrence, and changes in context, temporal or spatial, reconfigure the meanings of objects and ...
openaire   +1 more source

Affective dimensions in the information behavior of forcibly displaced people: A literature review. An Annual Review of Information Science and Technology (ARIST) paper

open access: yesJournal of the Association for Information Science and Technology, EarlyView.
Abstract This review analyzed 241 scholarly articles published between 2010 and 2025 in information science venues to examine how affect shapes refugees' information behavior during forced migration and to identify additional contextual factors. It identifies seven affective dimensions: anxiety, shame and stigma, grief and loss, frustration, (mis)trust,
Maja Krtalić, Lilach Alon
wiley   +1 more source

What My Music About Me: Re-evaluating the ‘Badge’ Function of Music in the Context of Streaming

open access: yesYoung
This article re-evaluates Simon Frith’s hypothesis that music serves as a badge for youth identity, based on 15 qualitative interviews with young people aged 17–19 conducted in the fall of 2021. Our findings point to changes in the representation of self
Juliette P. Gagne
doaj   +1 more source

Modern Response of the People’s Soul: Broadcasting and Exploring Sibelius’ Music in Finland over the Last Decade

open access: yesRussian Musicology
This article is devoted to the study of the perception and interpretation of the music of Jan Sibelius in Finland during the last decade. Sibelius is by far the greatest national composer in Finland, whose music is deeply rooted in the country’s culture ...
Zhao Ge
doaj   +1 more source

Review of Ignacio Corona and Alejandro Madrid, eds. 2008. Postnational Musical Identities: Cultural Production, Distribution, and Consumption in a Globalized Scenario. Lanham: Lexington Books

open access: yesCurrent Musicology, 2010
In Postnational Musical Identities, Ignacio Corona and Alejandro Madrid bring together twelve scholars working with (primarily) popular music in (primarily) Mexico and Latin America to consider the relationship between music, identity, and globalization.
Shannon Garland
doaj   +1 more source

The politics of performance: transnationalism and its limits in former Yugoslav popular music, 1999–2004 [PDF]

open access: yes, 2006
This paper examines transnational relations between the Yugoslav successor states from the point of view of popular music, and demonstrates how transnational musical figures (such as Djordje Balaševi?, Mom?ilo Bajagi?-Bajaga and Ceca Ražnatovi?) are ...
Baker, Catherine, Baker, C.
core   +1 more source

Home - About - Disclaimer - Privacy