Results 81 to 90 of about 2,959,754 (294)
The Formation of Musical Identity
One of the most important cultural changes in the 20th century was the rise of identity as a fundamental value. Therefore, it is also important to know how musicians identify themselves in music. The purpose of the study was to ascertain how students training as music teachers (school music pedagogy and interpretation pedagogy) at Estonian Academy of ...
Kadri Põder, Kristi Kiilu
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Music sociology: Value, technology, and identity
Music Sociology critically evaluates current approaches to the study of music in sociology and presents a broad overview of how music is positioned and represented in existing sociological scholarship.
Bennett, A, Nowak, R
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Abstract Cross‐disciplinary research is a priority for many academic institutions, with a growing body of scholarship dedicated to studying the central practice of cross‐disciplinarity: integration, or the synthesis of knowledge, information, and data across disciplines and domains.
Ciara Zogheib
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An Investigation into the Use of Irish Traditional Music in Northern Irish Music Therapy Practice
The provision of mental health and therapeutic services is deemed a vital response to the vast traumatisation of the largely bicultural community of Northern Ireland resulting from the “Troubles” conflict.
Madeleine Eves
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Terry Eagleton perfectly stated the most fundamental lesson about identity when he penned the line: ‘Nothing ever happens twice, precisely because it has happened once already.’1 In other words, a second iteration of an event is always different to a first occurrence, and changes in context, temporal or spatial, reconfigure the meanings of objects and ...
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Abstract This review analyzed 241 scholarly articles published between 2010 and 2025 in information science venues to examine how affect shapes refugees' information behavior during forced migration and to identify additional contextual factors. It identifies seven affective dimensions: anxiety, shame and stigma, grief and loss, frustration, (mis)trust,
Maja Krtalić, Lilach Alon
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What My Music About Me: Re-evaluating the ‘Badge’ Function of Music in the Context of Streaming
This article re-evaluates Simon Frith’s hypothesis that music serves as a badge for youth identity, based on 15 qualitative interviews with young people aged 17–19 conducted in the fall of 2021. Our findings point to changes in the representation of self
Juliette P. Gagne
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This article is devoted to the study of the perception and interpretation of the music of Jan Sibelius in Finland during the last decade. Sibelius is by far the greatest national composer in Finland, whose music is deeply rooted in the country’s culture ...
Zhao Ge
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In Postnational Musical Identities, Ignacio Corona and Alejandro Madrid bring together twelve scholars working with (primarily) popular music in (primarily) Mexico and Latin America to consider the relationship between music, identity, and globalization.
Shannon Garland
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The politics of performance: transnationalism and its limits in former Yugoslav popular music, 1999–2004 [PDF]
This paper examines transnational relations between the Yugoslav successor states from the point of view of popular music, and demonstrates how transnational musical figures (such as Djordje Balaševi?, Mom?ilo Bajagi?-Bajaga and Ceca Ražnatovi?) are ...
Baker, Catherine, Baker, C.
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