Results 11 to 20 of about 329 (205)
Narrator Types and Innovations (on the Example of Contemporary Slovenian Novel) [PDF]
The article tackles the function of the narrator in contemporary fiction. After outlining the position of the narrator in classical and post-classical narratology, it analyses several innovative approaches to this category as found in contemporary ...
Alojzija Zupan Sosič
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This article investigates the performative nature of forensic dialogue as a literary device in the story of Susanna. Whilst Susanna scholars have brought significant contributions in recent years, this article contends that there has never been a special
Risimati S. Hobyane
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PINOCCHIO FROM ITALY TO RUSSIA, OR THE LITERARY JOURNEY OF AN ICONIC PUPPET
As is well known, in 1935 the famous Soviet writer Aleksey Nikolaevich Tolstoy (1883–1945) wrote the fairy tale Zolotoj klyuchik, ili Priklyucheniya Buratino (The Little Golden Key, or the Adventures of Buratino) inspired by Collodi’s Pinocchio (1883 ...
Илария Ремонато
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Female Representations in Woolf’s A Room of One’s Own / Woolf’un Kendine Ait Bir Oda’sındaki Kadın Temsilleri [PDF]
Due to the increasing popularity of digital reading, e-readers have been the focus of a number of research over the last few years. Reading is a multifaceted cognitive activity comprising reader-text interaction, derivation of meaning and relating the
Nurdan Atamtürk*, Çelen Dimililer**
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The Narratological Style and the Reader of Evelyn Waugh’s Early Satires
The article deals with the role of the implied reader in Evelyn Waugh’s novels. An attempt will be made to define who the implied reader is and what is his position and role in fictional realm.
Roksana Zgierska
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Holiday Romance, written by Dickens and first published in 1868, is a collection of four tales for children in which Dickens indulges his penchant for fairy tales, child-like vision and verbal play. It features four child narrators embarked on a mission:
Isabelle Hervouet
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Character focalisation and its function in the story of Susanna
The characters in a story can function as vehicles that carry the message(s) that the implied author intends to convey to the implied readers as they read the story.
Risimati S. Hobyane
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The function of an implied reader in cultivating the imagination of a child in Sobhi Suleiman's children’s stories [PDF]
Introduction: The aim of this study is to evaluate the effects of the reader’s presence and participation in the stories of Sobhi Suleiman. With the initial reading of the desired stories, it is assumed that the author has been influenced by the child's ...
Somayeh Akbari +2 more
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Gulliver and the Gentle Reader
The satire in Swift’s anatomy of the human animal in Gulliver’s Travels is unusually radical, comprehensive and aggressive. In the first three books it conventionally attacks humans for what they do, but at the end of book III and throughout book IV ...
Claude RAWSON
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Este artículo reflexiona sobre el concepto de lector implícito en la ficción narrativa, con referencia especial al concepto originario de Walker Gibson y Wayne Booth, y al reciente trabajo de Brian Richardson sobre la multiplicidad de lectores implícitos.
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