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What is the 'true' function of skin? [PDF]
Exp Dermatol, 2002 Chuong CM +19 more
europepmc +1 more source
An outbreak of septic endometritis in the Arctic blue fox (Alopex lagopus) caused by Clostridium carnis. [PDF]
Acta Vet Scand, 1988 Sørum H +5 more
europepmc +1 more source
OBRAZ A MALOWIDŁO. REMBRANDT CONTRA INGARDEN [PDF]
The Polish Journal of Aesthetics, 2006 Janusz Krupiński
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The Geometry of Ingarden Spaces
Reports on Mathematical Physics, 2004zbMATH Open Web Interface contents unavailable due to conflicting licenses.
Radu Miron
exaly +2 more sources
Textual Indeterminacy Revisited: From Roman Ingarden Onwards
Journal of Literary Semantics, 2015 I discuss the phenomenological approach to the creative apprehension of a literary artwork along the lines set out, from the 1930s to the 1960s, by the Polish philosopher R. Ingarden.
Elżbieta Chrzanowska-Kluczewska
exaly +2 more sources
2020
Roman Ingarden (1893–1970) należy do najbardziej znanych na świecie polskich filozofów. Był uczniem Husserla i od niego przejął metodę fenomenologiczną, którą konsekwentnie stosował w rozważaniach ontologicznych i estetycznych. Często pisał równolegle w języku polskim i niemieckim.
Potocka, Maria Anna +2 more
openaire +2 more sources
Roman Ingarden (1893–1970) należy do najbardziej znanych na świecie polskich filozofów. Był uczniem Husserla i od niego przejął metodę fenomenologiczną, którą konsekwentnie stosował w rozważaniach ontologicznych i estetycznych. Często pisał równolegle w języku polskim i niemieckim.
Potocka, Maria Anna +2 more
openaire +2 more sources
1989
Roman Ingarden’s consideration of theatrical performance can be found in his book “The Literary Work of Art.”1 Two articles in it are especially concerned with theatre: “The Stage Play” (317–23) and the appendix “The Function of Language in the Theatre” (377–93). The latter Ingarden wrote in the fifties,2 more than twenty years after the former. Though
openaire +1 more source
Roman Ingarden’s consideration of theatrical performance can be found in his book “The Literary Work of Art.”1 Two articles in it are especially concerned with theatre: “The Stage Play” (317–23) and the appendix “The Function of Language in the Theatre” (377–93). The latter Ingarden wrote in the fifties,2 more than twenty years after the former. Though
openaire +1 more source