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Literary works are examined with different perspectives and analysis methods and the deep structure expressed by the work is tried to be revealed. One of these methods is the ontological analysis method.
SEMİHA BURHANLI
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Life and repetition in Husserl's analyses from the first half of the 1920s
Abstract In his later writings, Husserl posits the original life of transcendental consciousness as the ultimate subject of phenomenological inquiry. Through self‐criticism in his work, Ideas Pertaining to a Pure Phenomenology and to a Phenomenological Philosophy, Husserl realises that the transcendence of representation remains unnoticed after the ...
David Rybák
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Faculty of Architecture and Fine Arts, A.F. Modrzewski Krakow University: program and teaching
Architecture, as a form of shaping space is a scientific discipline in which the interdisciplinary methods of teaching should be crucial throughout the educational process.
Krzysztof Ingarden, Katarzyna Petri
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Dynamic types of artistic image: Roman Ingarden’s phenomenology and literary theory
The article is devoted to the question of some data obtained by Polish philosopher Roman Ingarden, and primarily to his study of the literary work of art. Development upon Ingardens ideas is associated with use of Russian authors which are rarely treated
Anastasia A. Aksenova
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Abstract The present study pursues three objectives. First, to expose and discuss the contributions of the philosopher José Ortega y Gasset to the phenomenological study of gestures and emotive gesture. Secondly, to critically review one of the central theses defended by Ortega, according to which “every expressive phenomenon”—including, therefore, the
Noé Expósito Ropero +1 more
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Niewykorzystana szansa. O niedoszłym do skutku dialogu aksjologicznym Ingardena i Elzenberga
In this paper, I take as a starting point an exchange between Henryk Elzenberg and Roman Ingarden concerning the mode of existence of values. Based on their correspondence, I attempt to trace the missed and lost opportunities for dialogue between the two
Andrzej Lorczyk
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The starting point of the article is a passage in Tarski’s work entitled The Semantic Concept of Truth and the Foundations of Semantics (1944), in which he points out the difference between the concept of truth and other semantic concepts.
Maciej Chlewicki
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Ontological Aspects of the Literary Work of Art in Roman Ingarden and Nicolai Hartmann [PDF]
The aesthetics of Roman Ingarden and Nicolai Hartmann are phenomenological in the Husserlian sense of the term. Although both Ingarden as well as Hartmann owe their ideas to Husserl, each of them worked independently of the other and provided different ...
Sazan Kryeziu
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Sobre as formações sonoras da obra musical em Roman Ingarden
O texto tem como objetivo principal explicar o conceito de formação sonora em Roman Ingarden destacando o seu status enquanto objeto puramente intencional e o seu caráter gestáltico.
Glaucio Adriano Zangheri
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