Results 221 to 230 of about 1,047 (254)
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More Than an Instrument: Improvising with failing playback media
Organised Sound, 2021The adoption of playback media – such as vinyl and the compact disc – by performers as a means of sound creation and manipulation sees our perception of these media ‘elevated’ to the status of an instrument. As this practice develops, improvisers push these devices further in pursuit of new sounds, including actively exploring the sonic potential of ...
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Marketing under pressure: improvisation as an instrumental process for change
Journal of Marketing Theory and PracticeMatthew B. Shaner +2 more
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Improvised Instrument for Expander Placement
Annals of Plastic Surgery, 2006Isaac J, Peled, Ernest K, Manders
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Chromatic Function Analysis- An instrument for improvisation
2020The purpose of this investigation is to become a better improviser at the organ. I will use, The Chromatic Function Analysis Model, abbreviated as TCFAM, as a method to deconstruct material and later reconstruct material, on which I will make improvisations.
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Becoming-Music: Improvisation and Instrumentalism in Curriculum Theory
2010In Aoki’s (2005a) curriculum seminar featuring jazz trumpeter Bobby Shew, the question of music’s import to curriculum theorizing is explicitly posed. Toward this question, Shew’s performance addresses two lines of inquiry. First, “When does an instrument cease to be an instrument?” and second, “What is improvisation?” (p. 367).
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2018
Improvisational practices are deeply linked to musical instruments. Indeed, by definition, to improvise is to create music with (or sometimes against) an instrument (including voice); in many ways, then, the act of improvisation is inseparable from the instrument onto which it is produced.
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Improvisational practices are deeply linked to musical instruments. Indeed, by definition, to improvise is to create music with (or sometimes against) an instrument (including voice); in many ways, then, the act of improvisation is inseparable from the instrument onto which it is produced.
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Instrumental Improvisation in General Music
Soundings (Reston, VA), 1993Janet L. S. Moore, Thomas J. Schwirtz
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Geometric Improvisations Leading to a Musical Instrument
2011Thesis explores a theory of proportion, its application within a design-build experiment, while establishing essential elements of design language.
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