Results 221 to 230 of about 1,064 (274)
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Counter-Memories in Iranian Cinema
2021›Counter-Memories‹ are memories that are barred from hegemonic history, but are, nevertheless present in cinematic forms. They have the potential to destabilize official narratives and normative orders of remembering. Inside the main stream of memories those memories stay invisible, marginalized by power effects and epistemic oppression.
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The Question of National Cinema in Iranian Independent Cinema
Film International, 2014Abstract
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2018
Iranian cinema first came under international attention for its prerevolutionary art cinema known as the Iranian New Wave and more widely for its postrevolutionary cinematic movement called the New Iranian Cinema. However, Iran has had a longstanding history of cinema that began in 1900, with the introduction of film technology by the Qajar court ...
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Iranian cinema first came under international attention for its prerevolutionary art cinema known as the Iranian New Wave and more widely for its postrevolutionary cinematic movement called the New Iranian Cinema. However, Iran has had a longstanding history of cinema that began in 1900, with the introduction of film technology by the Qajar court ...
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Banality in the Iranian Cinema
International Journal of Advanced Multidisciplinary Research and StudiesThis study employed grounded theory methodology to dissect and classify the elements influencing the purported downturn in the artistic merit of Iranian cinema from 1978 to 2023. The investigation zeroes in on the discourse of distinguished Iranian filmmakers, government figures, and critics, aiming to distill the pivotal determinants and motives for ...
Sharareh Aris, Forough Movahedzadeh
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2016
The New Iranian Cinema is considered by many to be the most fascinating cultural phenomenon produced within the Islamic Republic of Iran. Containing twelve first-hand interviews with the most renowned film-makers living and working in contemporary Iran, this book provides insights into film-making within a society often at odds with its rulers ...
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The New Iranian Cinema is considered by many to be the most fascinating cultural phenomenon produced within the Islamic Republic of Iran. Containing twelve first-hand interviews with the most renowned film-makers living and working in contemporary Iran, this book provides insights into film-making within a society often at odds with its rulers ...
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Iranian Cinema: Texts and Contexts
Art Journal, 2006In recent years, Iranian cinema has received considerable international acclaim, especially since Abbas Kiarostami's A Taste of Cherry won the Palme d'or award at the 1997 Cannes Film Festival. It should be noted, however, that the international reputation of Iranian cinema was secured in the late 1960s, when a new wave of young Iranian intellectuals ...
Z. Pamela Karimi, Michael M. J. Fischer
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The Impact of Globalization on Iranian Cinema
Asian Cinema, 2002In this article I am trying to develop a conceptual overview of cultural commodity relevant to the Iranian film industry and provide an analysis of cultural policy, economy and the place of Iranian film industry in the context of globalized world.
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The Real Worlds of Iranian Cinema
Journal of Media and Religion, 2008In preparation for my visit to Iran, I watched several Iranian films, the most controversial being the comic satire Marmoulak (The Lizard, 2004).
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