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Isadora-Duncan-Syndrom

Der Anaesthesist, 2016
G. Jansen, F. Mertzlufft
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Isadora Duncan

1921
Valborg Isaachsen, Dudok Van Heel
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Nude Vibrations: Isadora Duncan’s Creatural Aesthetic

2018
This chapter reads Duncan as a paradigmatic test-case for re-seeing the complexities of “naturalness” in the early twentieth century in relation to animality, performance, and an aesthetics that is specifically posthumanist. Rather than a naïve essentialist, Duncan should be viewed as a kind of vitalist who understood art as emerging from the vibrancy ...
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Duncan, Isadora

2013
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Isadora Duncan's Dance Theory

Dance Research Journal, 1994
In America, around 1900, Edith Wharton wrote in her autobiography, “[O]nly two kinds of dancing were familiar…: waltzing in the ballroom and pirouetting on the stage”. Wharton missed her earliest opportunity to see Duncan, in 1899, when a Boston philanthropist and Newport hostess featured the young dancer at a garden party:“Isadora Duncan?” People ...
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Isadora Duncan's influence on dance in Russia

Dance Chronicle, 1995
(1995). Isadora Duncan's influence on dance in Russia. Dance Chronicle: Vol. 18, No. 2, pp. 281-291.
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Duncan, Isadora (1877- 1927)

2018
Frequently credited with the invention of modern dance, Isadora Duncan was a choreographer, dancer, educator, international star, and author of a bestselling autobiography My Life (1927). Her choreography drew most prominently from popular social dance genres, the poses and gestures depicted in classical art, and exercises promoted by the twentieth ...
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