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Isadora Duncan and the Spirit of Modernism

2009
When Isadora Duncan had just concluded a 1903 London performance, the actress Ellen Terry leapt to her feet and turned to the audience, exclaiming, “Do you understand this is the most incomparably beautiful dancing in the world? Do you appreciate what this woman is doing for you—bringing back the lost beauty of the old world of art ...
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Writing Bodies: Isadora Duncan, Movement, and Metaphor

Congress on Research in Dance Conference Proceedings, 2015
Building on the work of interdisciplinary literary and dance scholars from Frank Kermode to Carrie Preston, this paper attends to depictions of Isadora Duncan appearing in novels, poems, and portraits by modernist writers such as Max Eastman, John Dos Passos, and Gertrude Stein, among others.
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Isadora Duncan's Early Career in the United States

Congress on Research in Dance Conference Proceedings, 2016
Isadora Duncan indicates in The Art of the Dance the importance of her childhood experiences in the establishment of her own new dance style. However, her early dance career, before leaving the United States in 1899, is somewhat mysterious. Therefore, this paper examines what kind of dance she studied in her childhood and the process of how she created
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Isadora Duncan – A Preliminary Analysis of her Work

Dance Research, 1983
My doctoral research started with a question to which I could not find an answer. The question arose during the study of the history of modern dance in the UK from the early twentieth century to the mid-1930s. I could postulate the influence of Isadora Duncan on British dancers of the time, such as Madge Atkinson, Ruby Ginner and Margaret Morris, and ...
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Isadora Duncan, the Russian Years

Russian Review, 1970
David Stewart Hull   +2 more
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Done into Dance: Isadora Duncan in America

Dance Research: The Journal of the Society for Dance Research, 1997
Susan Manning, Ann Daly
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Isadora Duncan; Pavlova; Nijinsky

The Journal of Aesthetics and Art Criticism, 1948
Lynn D. Poole   +4 more
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Isadora Duncan

The Bulletin of the Museum of Modern Art, 1941
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