Results 1 to 10 of about 88,615 (282)

Italian horror cinema [PDF]

Journal of Italian Cinema & Media Studies, 2017
Abstract
Fisher, Austin, Walker, J.
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Travolta da un insolito destino: la lingua filmata nell'azzurro mare del cinema, oggi

Lingue e culture dei media, 2021
Le lingue, i dialetti, l’italiano in tutte le sue variazioni sono le tessere che compongono il parlato cinematografico del cinema italiano contemporaneo.
Marta Idini
doaj   +1 more source

“Il primo film tutto parlato in italiano”. The Debate on Sei tu l'amore? in Magazines

Cinergie, 2022
La canzone dell’amore – directed by Gennaro Righelli and produced by Cines Pittaluga in 1930 – according to historical studies, is the first sound film direct driven in Italian. The issue is more complex referring to reviews of that time. Sei tu l’amore? 
Denis Lotti
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Un cinema «fuoruscito». Esuli italiani in Francia e ricezione del Neorealismo (1945-1950)

Schermi, 2022
According to an established historiography, post World War II Italian cinema owes much of its international success to the French intellectual milieu.
Enrico Gheller
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Family education and consumption of cinema in the 1950s between North and South of Italy

Rivista di Storia dell'Educazione, 2017
In this paper, the cinema of the 1950s is investigated as a mean of consuming product and as a way for socializing the Italian masses and as a comparison between the industrialized north and the south still predominantly agricultural, but also between ...
Livia Romano
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Translating Music

Sound Stage Screen, 2021
A few years after the arrival of sound cinema in Italy, the technology of dubbing emerged as an optimal solution to transfer films across national borders. This seemingly simple artifice had enormous cultural and political ramifications transnationally.
Luca Battioni
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Gender and Migrant Roles in Italian Neorealist and New Migrant Films: Cinema as an Apparatus of Reconfiguration of National Identity and ‘Otherness’

Humanities, 2021
The article examines an ensemble of gender and migrant roles in post-war Neorealist and New Migrant Italian films. Its main objective is to analyze gender and placemaking practices in an ensemble of films, addressing these practices on a symbolic level ...
Marianna Charitonidou
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Sorrentino, Loro and the Others: The contemporary Italian Auteur in the French Context

Cinergie, 2020
This article analyses the circulation and reception of Paolo Sorrentino’s Loro/Silvio et les autres (2018) in France, as a case study that complements recent surveys of contemporary Italian cinema’s global impact.
Valerio Coladonato
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Sguardi ad Est. Cinema e Società (1948-1950)

Cinergie, 2018
This study focuses on Soviet cinema articles published within the magazine Società between 1948 and 1950, with particular concern to: Sergio Eisenstein by Emilio Scarlatti and Il cinema democratico a Mariánské Lázne, Charlie Chaplin nella critica ...
Marco Zilioli
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Tra metafora e identità : il gusto del vino nel cinema italiano

Itinera, 2017
This paper aims to investigate the ways in which the wine was represented in the Italian cinema, through some exemplary movies chosen from particularly representative genres: such as neorealism, the Italian comedy and author’s cinema. Our analysis will
Livio Lepratto
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