Results 11 to 20 of about 894,734 (286)
Realism of the senses: a tendency in contemporary world cinema [PDF]
, 2011 This thesis proposes to examine the production of sensory realism in world cinema by using as case studies the cinemas of Carlos Reygadas (Mexico), Tsai Ming-liang (Taiwan) and Gus Van Sant (US).
Magalhães De Luca, Tiago
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Il progetto "MigrArti": finanziamento pubblico e accesso al mercato del cinema migrante in Italia
Schermi, 2019 Recently a series of films made by immigrants to Italy have emerged. These nevertheless remain marginal to the national industry, in part as Italy has no centralized policies that support the development of a “new Italian cinema” legally.
Maria Francesca Piredda
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Double time : Facing the future in migration’s past [PDF]
, 2013 Interpretations of Italian films about migration tend to refer to the historical experience of emigration or of colonialism as the historical coordinates through which these films are best understood.
Duncan, Derek Egerton
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Restauro Archeologico, 2019 A series of samples taken from gilded Gandharan sculpted objects in schist (both portable artifacts and architectural decorative components), coming from different sacred sites of ancient Gandhara and the Swat valley, are in the course of analytical ...
Marco Zaminga +4 more
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Journal of Italian Cinema & Media Studies, 2017 Abstract
Fisher, Austin, Walker, J.
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, 2023 Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to
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Introduzione. Fenomeni di generazione e media nell'età contemporanea
Schermi, 2019 Introduction to the special ...
Giancarlo Grossi, Myriam Mereu
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Slovenské divadlo, 2017 This study examines journalistic, publicist, and critical discourse in relation to the popular genres in the Italian cinema of the 1960s and 1970s in Czechoslovak film and non-film periodical press. Of interest are mainly comprehensive texts that analyse
Švábenický Jan
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La 'segnorina' neorealista tra melodramma e noir: La tratta delle bianche di Luigi Comencini
Annali Online dell'Università di Ferrara. Sezione Lettere, 2007 Italian critics of the early 50s labelled as "pink neo-realism" contemporary movies which tried to bring the aesthetics of the Italian Cinema of the Liberation back inside the boundaries of a more narrative and overtly mainstream cinema. Even though this
Francesco Di Chiara
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