Results 11 to 20 of about 1,274 (257)
A series of samples taken from gilded Gandharan sculpted objects in schist (both portable artifacts and architectural decorative components), coming from different sacred sites of ancient Gandhara and the Swat valley, are in the course of analytical ...
Marco Zaminga +4 more
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Introduzione. Fenomeni di generazione e media nell'età contemporanea
Introduction to the special ...
Giancarlo Grossi, Myriam Mereu
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The success of films like the Oscar-winning La grande bellezza ( The Great Beauty , Paolo Sorrentino), the family-friendly comedy Sole a catinelle ( Buckets of Sunshine , Gennaro Nunziante) and the poetic documentary Sacro GRA ( Sacred GRA , Gianfranco Rosi), all released in 2013, confirms the continued and perhaps surprising vitality and variety of ...
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Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to
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Abstract
Fisher, Austin, Walker, J.
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This study examines journalistic, publicist, and critical discourse in relation to the popular genres in the Italian cinema of the 1960s and 1970s in Czechoslovak film and non-film periodical press. Of interest are mainly comprehensive texts that analyse
Švábenický Jan
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La 'segnorina' neorealista tra melodramma e noir: La tratta delle bianche di Luigi Comencini
Italian critics of the early 50s labelled as "pink neo-realism" contemporary movies which tried to bring the aesthetics of the Italian Cinema of the Liberation back inside the boundaries of a more narrative and overtly mainstream cinema. Even though this
Francesco Di Chiara
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Cesare Zavattini’s Poetics of Objectivity
Cesare Zavattini was an acclaimed neorealist screenwriter and a theorist of neorealism. He has played a pivotal role in the critical rethinking of the new postwar Italian cinema although many of his concepts were considered avant-garde for that period ...
Etami Borjan
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The relationship between Leonardo Sciascia and cinema is multifaceted and inherently contradictory. This work touches upon two main trajectories in this relationship: Sciascia as a spectator and film reviewer, and the adaptation of Sciascian novels ...
Ermelinda M. Campani
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