Results 1 to 10 of about 1,279 (257)
This issue investigates the current state and possible developments of Media Industry Studies in Italy. Through multiple perspectives and research methodologies, it offers insights on the changing role of Italian public service broadcasting, on the ...
Marco Cucco +10 more
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Garibaldi e l’epopea garibaldina nel cinema muto italiano. Dalle origini alla I guerra mondiale / Garibaldi and the Representation of Garibaldi in italian silent Cinema: from its Beginning to the World War One [PDF]
The first film producted by an italian studio was "La presa di Roma - 20 settembre 1870" (Albertini & Santoni, 1905) and the Italian Risorgimento will continue to be one of the most favoured subjects of italian cinematography.
Lasi, Giovanni
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Introduzione. Alla ricerca dei pubblici della diaspora italiana
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Morena La Barba, Mattia Lento
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Questo contributo si sofferma su discorsi autobiografici e questioni di migrazione nel Cinema transculturale contemporaneo di stampo italofono con l’intento di individuare i nessi tra cinema e letteratura, tra esperienze migratorie autobiografiche e le ...
Dagmar Reichardt, Ada Plazzo
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Language conflict, glottophagy and camouflage in the Italian cinematic city
In this paper, I would like to present an analysis of the social environment of language contact in Italy exploring how historically the language policy in the era of fascism produced a complex idea of the Italian language community.
Marco Gargiulo
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Defining Italian Neorealism: A Compulsory Movement
Being one of the most influential cinematic movements in film history, Italian neorealism has not been very easy to define. Although one can easily recognize a neorealist film, not all neorealist films share the exact same characteristics. In this paper,
Esma Kartal
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The article focuses on the performativity of urban spaces and the figures of their representation in the so problematically called “Italian Migrant Cinema.”
Farah Polato
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History of the Cinema and History in the Cinema. Reflecting with Gianfranco Gori and Pierre Sorlin on Questions of Methods and Didactic Proposals This essay offers reflections on methodological issues and proposals of didactic paths through the author’s
Carlo Felice Casula
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New approaches to neorealism in Italian cinema [PDF]
In an article with the challenging title ‘Against Realism’, Alan O'Leary and Catherine O'Rawe (2011) argued that Italian cinema studies needed to move forward. In their view, the abuse of ‘realism’ as a prescriptive as well as descriptive term had stunted research into Italian cinema of the postwar period, channelling it exclusively towards neorealist ...
openaire +3 more sources
I pubblici cinematografici dell'emigrazione italiana nel mondo
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Morena La Barba +6 more
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