Results 31 to 40 of about 1,024,609 (250)
Norberto Bobbio: libertà dell’arte, censura ed erotismo
The philosopher Norberto Bobbio was an important exponent of Italian liberalism and exerted considerable influence on Italian political thought of the second half of the twentieth century. The article examines the few texts by Bobbio relating to cinema.
Rinaldo Vignati
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A Transcultural Perspective on the Casting of “The Rose Tattoo”
The film The Rose Tattoo (Daniel Mann, 1955), based on a play written by Tennessee Williams specifically for Anna Magnani, constitutes a transcultural experience both in the narrative, since it is set within an Italian-American community, and in the ...
Giuliana Muscio
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Traduzione del volume scritto in italiano nel 2007 Quei bravi ragazzi. Il cinema italoamericano contemporaneo, pubblicato in occasione della 43a Mostra Internazionale del Nuovo Cinema svoltasi a Pesaro nello stesso anno, Mediated Ethnicity raccoglie ...
Sara Corrizzato
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Nationalism and the cinema in France: political mythologies and film events, 1945-1995 [PDF]
Hugo Frey opens his book Nationalism and the cinema in France by positioning it as complementary to the rise of scholarship on the transnational dimensions of cinema.
Willems, Gertjan
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Understanding the Cinemagoing Experience in Cultural Life
The new cinema history approach asserts the importance of investigating the historical reception of films. In the past two decades, empirical research on film audiences has significantly developed methodologies and questions related to film and memory ...
Treveri Gennari, Daniela
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The article deals with a form of film censorship enacted from the late 1910s to the mid- 1970s by the Italian state: the so-called “preventive censorship”, i. e. the pre-shooting check of the screenplays that Italian producers wanted to turn into movies.
Michael Guarneri
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The Pleasures of Polyglossia in Emirati Cinema: Focus on From A to B and Abdullah [PDF]
Polyglot films highlight the coexistence of multiple languages at the level of dialogue and narration. Even the notoriously monolingual Hollywood film industry has recently seen an increase in polyglot productions.
Doris Hambuch
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New approaches to neorealism in Italian cinema
In an article with the challenging title ‘Against Realism’, Alan O'Leary and Catherine O'Rawe (2011) argued that Italian cinema studies needed to move forward.
Damiano Garofalo
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This issue investigates the current state and possible developments of Media Industry Studies in Italy. Through multiple perspectives and research methodologies, it offers insights on the changing role of Italian public service broadcasting, on the ...
Marco Cucco +10 more
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Traditionally, the definition of political cinema assumes a relationship between cinema and politics. In contrast to this view, author Mauro Resmini sees this relationship as an impasse. To illustrate this theory, Resmini turns to Italian cinema to explore how films have reinvented the link between popular art and radical politics in Italy from 1968 to
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