Results 111 to 120 of about 208,053 (276)
Camillo Everardi’s Pedagogical Repertoire at the Saint Petersburg Conservatory (1870–1888)
This article, drawing on archival sources, attempts to reconstruct the pedagogical career of Camillo Everardi (1825–1899) at the Saint Petersburg Conservatory, where he taught for 18 years — from 1870 to 1888.
Alexandra B. Turintseva
doaj +1 more source
Boston Baroque with Il Furioso, April 14, 2009 [PDF]
This is the concert program of the Boston Baroque with Il Furioso performance on Tuesday, April 14, 2009 at 7:30 p.m., at the Boston University Concert Hall, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Napoleon's Castrato: A tribute to Girolamo Crescentini, January 30, 2013 [PDF]
This is the concert program of the Napoleon's Castrato: A tribute to Girolamo Crescentini performance on Wednesday, January 30, 2013 at 8:00 p.m., at the Marshall Room, 855 Commonwealth Avenue, Boston, Massachusetts.
School of Music, Boston University
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Questenberg a Sporck – oddělené a nezávislé barokní hudební subkultury na Moravě a v Čechách?
The long time exposed question whether there were any connections between the Italian opera productions in Kuks and Prague (Bohemia), and Jaroměřice nad Rokytnou (Moravia), i.e.
Stanislav Bohadlo
doaj
NaturWall©: facciate in legno multifunzionali per la riqualificazione del patrimonio edilizio / NaturWall©:multifunctional wood façade in existent building refurbishment [PDF]
Naturwall© is a research conducted by Politecnico of Turin (DAD) (under supervision of Prof.G.Callegari) and a local PMI support (Natural House, Castellamonte), promoted by Giovanni Goria Foundation "Master dei Talenti" programme.
Spinelli, Antonio
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Dialogues of the Carmelites, April 16, 1998 [PDF]
This is the concert program of the Boston University Opera Institute and Boston University Symphony Orchestra performance of Dialogues of the Carmelites by Francis Poulenc with libretto based on a text by Georges Bernanos running Thursday April 16 ...
School of Music, Boston University
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Functions of Music Festivals in Modern Italy: “Rossini Opera Festival”
Olena Ponomarenko
openalex +2 more sources
East Coast/West Coast: The Long Tradition of Italian Immigrant Performers [PDF]
This article discusses the role of the immigrant stage in representing, imagining, exporting and importing, the Italian identity. In particular the essay examines the differences between the Italian Diasporic communities on the east Coast and in ...
Muscio, Giuliana
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